A powerful feature documentary about child sexploitation, an epidemic happening in every country around the world. Filmed over a four year period, REDLIGHT focuses on the personal stories of young Cambodian victims and two remarkable advocates for change: grass-roots activist Somaly Mam and politician Mu Sochua. Using gritty footage smuggled out of brothels and harrowing testimonials, REDLIGHT follows the plight of several current and former child sex slaves. Some are trying to regain entry into Cambodian society to find some semblance of normality after their horrific experiences. Other stories highlight the plight of victims who are attempting to bring the perpetrators to justice. Their torturous yet ultimately heroic battles to find witnesses and take brothel owners to court are dramatically brought to life in this topical and moving feature documentary.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
The Khmer Empire - officially 'The Angkor Empire' was a powerful 13th century Hindu-Buddhist state in Southeast Asia. Using sophisticated technologies to see inside Khmer temples, combined with statues, casts, and documents discovered by 19th century explorers, scientists today discover how they operated, the meaning of their architecture, and how the capital become the largest city in the world.
The wildlife and cultures of southern Asia have been shaped by one of the greatest phenomena on Earth: the mighty monsoon winds that sweep across this vast region, turning drought into deluge. All life – human and animal – is dominated by this rampaging weather system. From the northern shores of Australia to the highest peaks of the Himalayas and the wind-blown deserts of northern India to the lush equatorial forests of Borneo, this series makes an exhilarating journey through the lands of the monsoon. Along the way, it offers a taste of the variety and colour of the different regions’ most extraordinary wildlife and cultures and the way they cope with the tumultuous weather. This is the story of a relationship between humans and nature that has grown across thousands of years – all living in the shadow of the monsoon.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
A 5-year-old girl embarks on a harrowing quest for survival amid the sudden rise and terrifying reign of the Khmer Rouge in Cambodia.
Two tigers are separated as cubs and taken into captivity, only to be reunited years later as enemies by an explorer (Pearce) who inadvertently forces them to fight each other.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
This is a movie from Cambodia and it was actually directed by King Norodom Sihanouk, the king of Cambodia. It depicts the events of 1975 that ended with the fall of Phnom Penh to the Khmer Rouge.
Shickman, the film’s central subject, has been living in Phnom Penh, Cambodia for 8 years along with his baby’s mama, Saran. He is the soul provider of the pair and earns his meager living by reading tarot cards street side. Saran is Cambodian, drinks often, was once married to a man of which she had several kids with (all but one are in foster care). Aside from having to contend with each other, the two must also be weary of the human vultures that eye their daughters with hopes of turning a profit on the black market. Surely, the future for these people are a bleak one.
Cambodia, once the ancient kingdom of Funan, April 17th, 1975. The entire country falls under the tyranny of Angkar, the communist party of the Khmer Rouge. The cities are abandoned, the population is thrown to the roads and forced to walk towards an uncertain future…
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
Anitha, a government official, embarks on a journey to find Chandramouli, an archaeologist, who went to Vietnam to search for any existence of the prince of the Chola dynasty.
Sarah Jordan, an American living in London in 1984, is married to the son of a wealthy British industrialist. She encounters Nick Callahan, a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.
During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.
A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop.
Over three million Cambodians died in the genocide between 1975 and 1979. The Khmer Rouge’s reign of terror also decimated a homegrown film industry that had flourished since 1960: movie theaters were bombed, film prints were destroyed and artists were executed. In Golden Slumbers, French-Cambodian filmmaker Davy Chou mourns this loss of lives and culture, but balances the somber material with a playfulness that honors the lush melodramas and mythic adventures of the glory years.