How can the complex narrative of experience be understood as a coherent whole through the collection of states and thoughts? Since 2016, YR has dedicated itself to the ongoing exchange of its creative processes and focuses on the conscious abolition of any type of judgement. YR uses real life experiences and observations as its basic materials – what emerges is a growing collection of inner and outer realities by way of image, sound and text. The artists see themselves as storytellers who observe and question, document and recycle. This continuum can be understood as a sketchbook without a fixed vision. «notes of forms I» is the first audio-visual collection (journal movie) outside their ongoing blog work, in which YR exclusively uses materials from its artistic processes between January and March 2021

Farewell letter to an old love.

DIARY OF A CO-WORKER is a 2005 feature film created in Saint Louis, Missouri, and largely shot on-location at the historic Hi-Pointe Theatre. An exploration of the adversity faced from all sides as a part of service-industry jobs, it follows the exploits of Morrison (Mort Burke, THE MINDY PROJECT, DRUNK HISTORY) as he navigates co-workers, bosses, and the general public among the daily tasks of movie theatre maintenance and his own sense of self-identity. DIARY OF A CO-WORKER was written and directed by Matt McLaughlin, features music by Kevin Buckley, and has a running time of 91 minutes. Viewer discretion is advised (for strong language and depictions of drug use)

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Rebellious teenager Wang Ququ is transferred to a new school, unhappy at home and at school he gets in trouble again and again.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-screen. Rosa Canina was always show in the bottom right-hand corner

The narrative unfolds from the point-of-view of a single character named Roach. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

The discovery of a VHS tape of the artist's films on eBay triggers obsessive speculation about the seller's identity.

Shiroinu writes down the day’s events before he goes to sleep. One day, he opens a drawer buried in the snow and finds old diary entries. He realizes that he’s forgotten the sensations and emotions from that time to the extent that he feels like he’s reading about someone else’s life.

An unexpected event brings together an unlikely group of students.

Petchara Chaowarat plays a Country girl, Pimchawee, who is caught in a love triangle while her grandmother threatens to disclose her private love letters in the pursuit of recovering some money. Shot entirely in 16mm, this is Petchara Chaowarat's first film, and she went on to become one of the most iconic Thai actresses in history and continued to co-star in countless films with Mitr Chaibancha.

"Art was an important factor of my childhood, where I would spend time watching mama, through the threads. Today I am back in Iceland, watching her again - this time through the camera. We have not lived under the same roof since I was a teenager. I am 35, without children and a strong desire to make a film about her. Mum is not interested in being filmed. The film does not only deal with a mother - daughter relationship, but also a filmmaker and a subject with their own will." Salóme is Yrsa´s first documentary after finishing her master in creative documentary at Pompeu Fabra, iDEC, Barcelona.

While Andrés searches for old movies in Mozambique, he feels haunted by ominous premonitions, anticipating bad news coming from Venezuela, his country, where his father is gravely ill.

A cow dreams away from the barn routine and goes out into the world, becomes a pop star, talks about world peace in the UN, takes a ride in space before she lands in everyday life again.

A look at past diary entries reveals a teenage girl's struggles with body image and depression