Breif essay about the present, cinema, Buenos Aires, and humanity..

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Bruno Díaz, a Buenos Aires security guard, follows a trail of blood that leads him to meet horrible creatures. Now, he must become the hero he always wanted to be in order to leave that place alive.

This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.

There was once, in 1910, a train able to cross the wild territories between Argentina and Chile, making possible a mythical journey, joining two oceans with a single ticket, from Buenos Aires to Valparaiso. The last trip of the BAP was in 1979; in the nineties, its various branches were permanently abandoned. Since then, travelers have been inhabiting the railway landscape as they dream, desire, remember or yearn: as part of their own being and national history.

Young Maria, the embodiment of tango, leaves the outskirts of Buenos Aires and tries her luck in the chaotic downtown, where she triumphs in dark places ruled by crime and debauchery, unaware that a menacing presence stalks her, seeking her doom and death.

Documentary about the abandonment of cats in the Carlos Thays botanical garden, in the city of Buenos Aires, which is a very old problem. To help alleviate this problem there is the Botanist's Cats Protection Commission. This documentary not only reflects the work of the group but also the risks to which an animal exposes when abandoned. This documentary is produced, recorded and edited by Georgina Zanardi, image and sound designer, founder of Mondo Lila Producciones and volunteer for the Botanical's cat protection commission. The music is composed by Leandro Bajar, guitarist and composer in various musical groups, the music was recorded by Christian Vieyra. The sound design is done by Iván Rivelli, an audiovisual graduate, the graphic design is in charge of Francisca Brown, graphic designer and volunteer for the Botanist's cat protection commission.

A young man from Buenos Aires, rebellious and dispossessed of the system, finds himself dragged into a conspiracy that only he can unravel. His urban odyssey explores the limits of the night, the banalities of being and an anguished emptiness that has him disturbed.

Lucas, a sociology professor, visits the city of Rosario to give a talk. There, he meets Clara through an application that connects two people in the same city to accompany her. What initially is a simple walk from Clara's neighborhood to her work becomes the rediscovery of the relationship between a city, whose architectural heritage remains hidden between the hubbub of the city and its past.

Young María, the embodiment of tango, leaves the outskirts of Buenos Aires and tries her luck in the chaotic downtown, where she triumphs in dark places ruled by crime and debauchery, unaware that a menacing presence stalks her, seeking her doom and death.

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

Shot almost in its entirety in the corridors of the Villa 21, one of Buenas Aires' most well-known shanty-towns, Estrellas (Stars) revolves around the work of Julio Arrieta, who is both a theatre director and is responsible for providing shooting locations for those directores wishing to film in an Argentine ghetto.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.