An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
ဒီရုပ်ရှင်ကိုမရိုက်ခင် ဒါရိုက်တာဟာ Youtube ချန်နယ်တစ်ခုထောင်ပြီး Viewers တွေကို သူတို့ရဲ့အိပ်မက်ဆိုးတွေအကြောင်း မေးမြန်းခဲ့ပါတယ်။ ဒီနောက် သူတို့ပြောတဲ့အိပ်မက်ဆိုးတွေကနေ ဒီရုပ်ရှင်ကို ပြန်လည်ဖန်တီးခဲ့ပါတယ်။ အဓိကကတော့ အကုန်ဘုံတူနေတယ်ပြောလို့ရတဲ့ အိပ်မက်ကိုပေါ့။ ဒါရိုက်တာဟာ ” ကျွန်တော်ငယ်ငယ်က အိပ်မက်ဆိုးတစ်ခုမက်ခဲ့ဖူးတယ်။ အိပ်မက်ထဲ ကျွန်တော်က မိဘတွေနဲ့အတူအိမ်မှာပေါ့။ ပြီးတော့ ကျွန်တော့်မိဘတွေ ပျောက်သွားပြီး အိမ်ထဲမှာ မကောင်းဆိုးရွားတစ်ကောင်ရှိနေခဲ့တယ်။ ဒီလိုအိပ်မက်မျိုး လူတော်တော်များများလည်း မက်ဖူးကြပါတယ် ” လို့ ပြောခဲ့သလို ဒီလိုပုံစံကိုပဲရိုက်ခဲ့ပါတယ်။ဒီရုပ်ရှင်ဟာ ဟော်ရာကားပေမဲ့ Experimental Horror ခေါ် အတွေးအမြင်အသစ်ဟော်ရာကားမျိုးဖြစ်တဲ့အတွက် အမြင်များတဲ့ကားတွေနဲ့တော့မတူပါဘူး။ ဒီကားမှာဆို အိမ်တစ်အိမ်ထဲကပစ္စည်းတွေနဲ့ ဇာတ်ကောင်ဆိုလို့ ကလေး၂ယောက်လောက်ကိုပဲသုံးပြီး အိမ်တစ်လုံးထဲတင်ရိုက်ပြထားပါတယ်။ များသောအားဖြင့်တော့ First Person Point of View ကနေ ပြပြီး အိမ်အနှံ့လိုက်ပတ်ကြည့်ခိုင်းပြီး ကိုယ်တိုင် အဲဒီအိမ်ထဲရောက်သွားရသလို ပုံစံမျိုးရိုက်ထားပါတယ်။
An emotionally detached young Brooklynite drifts through unremarkable days and nights. Neither her on-again-off-again BDSM relationship with a mildly disinterested older dom, nor her nondescript corporate job, appear to bring her any satisfaction, and her relationship with her unpleasable New Yorker parents only compounds the tiresome cycle of her routine.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
ဇာတ်အိမ်ကလည်း တော်တော်လေးဆန်းတယ်။ လေလွင့်နေတဲ့လူတစ်ယောက်ရဲ့ ခြေရာခံရခက်တဲ့အတိတ်ကို တငွေ့ငွေ့ချင်း ပုံဖော်ရင်း ဒီလူ ဘာလို့လေလွင့်နေလဲဆိုတာကို တစ်စတစ်စချင်း ပုံဖော်ပြသသွားတယ်။ Experimental Road Drama ပီပီသသပဲ လမ်းပေါ်မှာ တကယ်သွားနေတဲ့ အနေအထားနဲ့ တော်တော်ကျအောင်လည်းပြသွားတယ်။ ၁၈အပေါင်းထက် ပိုရင်ပိုလောက်တဲ့ ၂၁အပေါင်းကားပေမဲ့ အနုပညာလည်း မြောက်သလို Experimental ဖလင်ဖန်တွေအကြိုက်တွေ့မယ့်ကားပါပဲ။
Two robots embark on a quest to become human.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
In a surreal universe where bananas fire laser beams and soup cans are used as grenades, a wacky cast of gangsters are thrown into a deadly game to battle it out over a mystical longboard in this trippy take on the Tarantino crime genre.
In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next target — navigating a twisted world where violence and madness reign supreme. Tensions unravel, leading to a psychedelic journey that blurs the lines between predator and prey.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
In a last-ditch effort to save earth, a man sacrifices himself and is forced to relive a series of suppressed memories that become smeared by the detonation of a stellar bomb. This paranormal explosion of thoughts begin to blur the lines between reality and fiction; the only way out is forward.
This is a poetic short film I made with Chloe Hall for a 12 week final major project where we adapted the poem my Forough Farrokhzad. This short film is about the confinement of women in Iran and the yearning for liberation in a patriarchal society. A tapestry of visual metaphors and poetic narration intertwine, illustrating the silent yet fervent struggle or Iranian women.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
An adaptation of the Beckett play
A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.
After the sudden break up of a relationship, a young man tries to make a film using the images of his ex-girlfriend that he had on his camera.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?