Παρότι είναι δημοφιλής συγγραφέας ιστοριών τρόμου, ο Μάικ Ένσλιν διαθέτει «τετράγωνη» λογική πιστεύοντας μόνο σε ό,τι βλέπει με τα ίδια του τα μάτια. Η σειρά των βιβλίων που έχει γράψει και εκδώσει, αφορούν στην αμφισβήτηση των ανεξήγητων μεταφυσικών φαινομένων στα πιο γνωστά στοιχειωμένα σπίτια. Αποφασισμένος να αποδείξει την ορθότητα των απόψεών του, ο Μάικ δέχεται να μείνει στη διαβόητη σουίτα 1408 του ξενοδοχείου Ντόλφιν στη Νέα Υόρκη, που φημολογείται πως πάνω από 50 άνθρωποι έχασαν εκεί μέσα τη ζωή τους. Εκεί ο ορθολογιστής συγγραφέας θα αναθεωρήσει όλα όσα πίστευε καθώς θα έρθει αντιμέτωπος με τον απόλυτο τρόμο!

Η Julia με τον σύζυγό της μετακομίζουν στην πατρίδα της οικογένειάς του για μια νέα δουλειά. Έχοντας εγκαταλείψει πρόσφατα την καριέρα της στην υποκριτική και κοιτώντας μια φωτογραφία, εντοπίζει μια φιγούρα, που φαίνεται να την παρακολουθεί. Λίγο αργότερα, ενώ βρίσκεται μόνη σε έναν κινηματογράφο, η Julia βεβαιώνεται ότι την παρακολουθούν και πως θα μπορούσε να είναι ο ίδιος άγνωστος στην φωτογραφία.

H ζωή ενός συγγραφέα έχει αναστατωθεί εξαιτίας του πρόσφατου τραυματικού του διαζυγίου. Τα πράγματα όμως γίνονται χειρότερα, όταν ένας άγνωστος σχιζοφρενής τον κατηγορεί ότι του έκλεψε τη δουλειά του και γίνεται η σκιά του, προκειμένου να αποδώσει `δικαιοσύνη`...

Ο καθηγητής Γουάνλεϊ και οι φίλοι του παθιάζονται με ένα γυναικείο πορτρέτο σε διαμέρισμα απέναντι από το κλαμπ τους. Η τύχη θα φέρει τον καθηγητή να γνωρίσει τη γυναίκα του πορτρέτου και να βρεθεί στο εν λόγω διαμέρισμα. Όμως μπαίνει ο εραστής της, παρεξηγεί τον καθηγητή και στη μάχη που επακολουθεί ο εραστής σκοτώνεται. Τώρα, ο Γουάνλεϊ πρέπει να προστατεύσει τη φήμη του συγκαλύπτοντας τον φόνο.

A couple and their 12-year-old son move into a giant house for the summer. Things start acting strange almost immediately. It seems that every time someone gets hurt on the grounds, the beat-up house seems to repair itself.

NEDs (Non Educated Delinquents) is the story of a young man’s journey from prize-winning schoolboy to knife-carrying teenager. Struggling against the low expectations of those around him, John McGill changes from victim to avenger, scholar to NED, altar boy to glue sniffer. When he attempts to change back again, his new reality and recent past make conformity near impossible and violent self determination near inevitable.

Two young lovers wander off to a forest on their wedding night where their fate is overcome by the darkness of self- destruction. Finding a field of poisonous strawberries in the forest, she has harmed herself in the worst way possible: losing him.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]

A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter.

Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.

An enthusiastic androgynous voice leaves a message on 25-year-old Mina's answering machine inviting her to the best party of her life. Mina really doesn't want to go, so she tries to come up with the most outrageous excuse to get rid of the Voice once and for all. However, her mind has a surprise in store for her.

A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

Widows is a documentary about the wives of pilots, who have been killed while working on the streets of Guatemala City. Being a van or taxi driver in the Central American country is considered one of the most dangerous jobs in the world.

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said

Nelson has a vivid nightmare of a woman being murdered and discovers that this is the beginning of a string of actual serial murders. To clear up this disturbing mystery, he pursues the serial killer to find out why he is haunting his dreams.

A journey to the past inspired by nostalgia, the basis of happiness. A simple and ambitious story from the inside of a window establishes the delicate boundaries between the past, the present and the future. Produced during 2020's confinement due to Covid-19.

Sylvia is writing her first novel. This will uncover dark secrets from her family's past; a past that now returns to haunt her. Disturbing, strange, frightening ghost story set in an exotic Spanish colonial city by the sea. A tale of mystery and terror that will keep you guessing from start to end.