Inspired by true events from the spring of 1944 when the Nazis organized a football match between a team of camp inmates and an elite Nazi team on Adolf Hitler's birthday. A match the prisoners are determined to win, no matter what happens.
A group of female inmates wanting to shorten their prison sentences take part in a hellish game of cat and mouse with a giant mutated snake.
In a dystopian future, a group of murderers facing the death penalty participate in a game show where they must survive being hunted down by famed TV personality and sport hunter Tad Nightingale, in order to gain freedom from the system.
Documentary about Attica prison riot and lawsuits to get compensation for the victims of these events.
Sebastian, a young boy living in a basement with his two brothers has to learn how to work together with his fellow prisoners to escape the man who's holding them captured.
'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...
Impressionistic glimpses of London life from early morning to rush hour.
Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?