Sidney Prescott (Neve Campbell) vender tilbage til hjembyen Woodsboro, der for år tilbage var kulisse for en stribe legendariske mord. Sidney, der nu er succesfuld forfatter, er i byen for at promovere sin nye selvhjælpsbog, men besøget bliver også et glædeligt gensyn med de gamle venner og nu ægtefolk Sheriff Dewey (David Arquette) og Gale (Courteney Cox). Men nogen er begyndt at genoplive fortiden. For den frygtede Ghostface-killer viser sig igen, og det lader til, at den eneste han har ventet på i alle disse år, netop er Sidney... Det oprindelige cast er samlet igen med Neve Campbell, Courteney Cox og David Arquette og suppleres af nye unge stjerner som Hayden Panetierre, Rory Culkin, Emma Roberts, Adam Brody og Anna Paquin, der har fået et internationalt gennembrud som servitricen Sookie i tv-serien "True Blood".
Filmen 'The Dressmaker' handler om haute couture-designeren Tilly, der vender tilbage til sin australske fødeby for at pleje sin syge mor. Den lille landsby begynder hurtigt at summe af sladder om Tillys tilbagevenden. For det er ikke kun sin succes hun er kendt for. Der gemmer sig flere skeletter i skabet, og langsomt begynder de at kravle ud igen.
25 år efter at en række brutale drab chokerede den lille by Woodsboro, er en ny morder på spil. Iført den ikoniske Ghostface-maske har personen udset sig en ny gruppe unge for at genoplive fortidens blodige hemmeligheder. Til undsætning kommer tre rutinerede kræfter, som har været oppe imod Ghostface af fire omgange før: Den evige overlever Sidney Prescott, betjenten Dewey Riley og journalisten Gale Weathers.
Den unge mand Jong-soo møder en gammel bekendt, Hae-mi, tilfældigt på gaden. Kvinden spørger om Jong-soo vil passe sin kat, da hun skal rejse til Afrika. Senere, da Hae-mi kommer tilbage, har hun selskab af den mystiske Ben, som Jong-soo erfarer, har et hemmeligt hobby.
A famous TV weatherman, Miguel Flores, becomes public enemy number one when he fails to predict a terrible hailstorm. He is forced out of the big city, Buenos Aires, fleeing the capital for his birthplace of Córdoba. The result will be a voyage of rediscovery that is as absurd as it is human
I komediedramaet 'Red Rocket' følger vi den fallerede pornostjerne, Mikey, der vender tilbage til sin hjemby i Texas, da karrieren i Los Angeles har ramt bunden. Mikey flytter ind hos sin kone, Lexi, som han ikke har set i årevis, og hendes mor. Selvom han lover, at det kun bliver et kort ophold, og at han nok skal hjælpe til i hjemmet, så bliver Mikeys tilstedeværelse hurtigt en udfordring for Lexi og hendes mor. Hverdagene får Mikey til at gå med at sælge hash til de lokale fabriksarbejdere, køre ture med naboen Lonnie og flirte hæmningsløst med den 17-årige Strawberry, der arbejder i den lokale donut-butik. Samtidig går han stadig og drømmer om sit store comeback som pornostjerne.
Adrien Brody spiller psykologen Peter Bower, der kæmper med at holde fast i en normal tilværelse efter hans datters tragiske død. Men så går en ubehagelig sandhed op for ham: De patienter, han konsulterer i øjeblikket, er slet ikke levende! De er spøgelser. Har Bowen fuldstændig mistet sin forstand, eller er der en forklaring et sted i hans fortid? Mørke hemmeligheder må graves frem, og Bowen må vende tilbage til sin fødeby for at finde svarene.
Da Sam vender tilbage til sin lille by for at tage sig af sin syge far, falder han hurtigt for en lokal kvinde, Kate. Samtidig begynder hans far at finde kærligheden til Kates mor. Men begge par må konfrontere deres fortid for at få deres nye kærlighed til at fungere for fremtiden.
Den tilsyneladende søde og uskyldige Smala Sussie forsvinder sporløst, og hendes bror Erik bliver nødt til at rejse tilbage til barndommens landsby for at lede efter hende. Det tager ikke lang tid før Erik befinder sig i et hvepsebo af løgne, pengebegær og svensk galskab. Under overfladen har alt forandret sig, og ingen er interesseret i at hjælpe med at lede efter Sussie, ikke engang byens eneste politimand. Snart indser Erik at Sussie ikke er den perfekte lillesøster hun engang var... Det er optakten til SMALA SUSSIE, en sanseløst forskruet gangsterkomedie – på svensk.
Storbypolitimanden Erik Bäckström flytter tilbage til hjemstavnen, hvor han bliver modtaget som en helt. Den retskafne politimand får straks færten af en lokal skandale, og da han går i gang med opklaringen, forsvinder enhver form for velvilje fra de lokale. Efter en alvorlig forbrydelse bliver det klart, at Bäckström selv kan blive næste offer, hvis han fortsætter efterforskningen.
Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith delays the return to his hometown, feeling that he is a failure. While in a moment of melancholy, he meets up with a group of Marines who befriend him and encourage him to return home to his mother by fabricating a story that he was wounded in battle with honorable discharge.
Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors.
Pol returns to his hometown only to find out that Mam, the girl who he secretly loves, is being courted by a drunken foreigner, Bug Johnny. Together with Hot and the members of Kohk-E-Kueng drum band, Pol tries to ruin the wedding.
When the mine is closing down in the small community of Vestköping the town bank is also in danger. Sudden news of the return of one of the town's inhabitants who had emigrated to the USA and is said to be very wealthy improves spirits of everyone.
Two years ago, William Langston made a mistake that would affect the course of his life. Now, with a killer loose in his home town and his circle of friends falling away one at a time, William faces his greatest fears as well as his own mortality.
Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.
A woman named Agnes who emigrated to the USA returns to her home village with her new husband Algot. When Agnes' childhood friend David turns up it's the start of a love triangle.
With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox. Again, it’s Bob rather than Terry who is visibly distressed by this. Upset and much the worse for free alcohol, Bob then storms into the library to seek sympathy from Thelma - who is, predictably, unimpressed. So when Thelma finds out that Terry has been getting semi-serious with glamorous Finnish shop assistant Chris, she takes it upon herself to try and pair them off for good via planning first a dinner party and then that mainstay of 70s comedy, a camping expedition. Of course, things don’t go quite according to plan and before you can say ‘I can see the way this is going’ we are set up for japes, larks and embarrassing incidents aplenty, which culminate in the lads getting rather fed up with their partners’ attempts to inflict the rugged outdoor lifestyle upon them and trying to hitch up and drive off with the girls still asleep in the caravan.
After 20 years of no contact with his father, Jack McCarthy (played by Hurley) travels from New York to his father Larry's death bed in Cork. Upon arrival he is furious to find his father alive and well and even more so when he then discovers he can't leave. Soon, father and son are forced to deal with a painful history. At the core of their conflict is Larry's denial about the death of his wife, Jack's mother. The story explores the difficult and painful, but often very hilarious ways they try to communicate. Forging a begrudging peace, the reality of life sets in when Larry discloses to Jack another truth that leads to a final reconciliation.
An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.