Στην Αμερική του κραχ (δεκαετία του 1930), μια μυστήρια κοπέλα, η Γκρέις, καταλήγει καταδιωκόμενη σε μικρή πόλη, κρυμμένη από τα Βραχώδη Όρη. Οι κάτοικοι ξεπερνούν τις αρχικές τους ανησυχίες και τελικά, με την επιμονή του επινοητικότερου αυτών, συμφωνούν να την βοηθήσουν αφήνοντας την να μείνει. Όμως, της ορίζουν, αρχικά καλοπροαίρετα, την προϋπόθεση να κάνει κάποιες δουλειές σε όλους με ελάχιστη ανταμοιβή. Όσο, όμως, εμφανίζονται οιωνοί κίνδυνου με την αστυνομία και γκάγκστερ να την ψάχνουν, τόσο οι απαιτήσεις τους γίνονται μεγαλύτερες απέναντί της, ώσπου φτάνουν στα όρια της ασυδοσίας. Η κοπέλα υπομένει τα πάντα με σιωπηλό πόνο και παράλογη κατανόηση, αλλά δεν έχει πει την τελευταία της κουβέντα.

Το 1945, περίπου 400 Κορεάτες, οδηγούνται με την βία από τους Ιάπωνες κατακτητές στο νησί Battleship ("Hashima"). Εκεί, υποχρεώνονται σε αβάστακτες συνθήκες εργασίας, με στόχο την εξαγωγή άνθρακα. Όντας 1000 μέτρα κάτω από την γη και χωρίς να υπάρχει δυνατότητα διαφυγής, οι άνθρωποι αυτοί τολμούν να δραπετεύσουν από την επίγεια κόλαση.

Ένας επικηρυγμένος, ο Guerrero Hernandez πυροβολήθηκε στην πλάτη και σκότωσε, ενώ προσπαθούσε να ελευθερώσει τον ετεροθαλή αδελφό του από τη φυλακή μιας μικρής πόλης. Κάνοντας μια συμφωνία με το διάβολο, ο Hernandez επιστρέφει από τους νεκρούς για να πάρει την εκδίκηση του.

Το 1915 η άφιξη ενός νεαρού τροφίμου σε ένα σωφρονιστικό ίδρυμα στα νορβηγικά φιόρδ θα αλλάξει τις επικίνδυνες ισορροπίες του απομονωμένου μικρόκοσμου.

How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.

In May of 1983, a man turns 49 and, with his 17-year old son, journeys to the village in Baden that he left 40 years before. He wants to discover what happened then, the truth about an affair his mother had with a young Polish prisoner of war, how the authorities came to learn of it, the lovers' arrest, and the aftermath. While his son takes Polaroid photographs, he retraces the steps of his childhood and interviews those who should remember. The story is disclosed in flashbacks that focus on the lovers (Paulina and Stanislaus), on a jealous and conniving neighbor, and on Mayer, the local SS commander who wants to find a way out of inevitable consequences.

A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.

It is the night of March 25, 1949. A full moon hangs over Estonia. Endless rows of cattle cars are waiting to transport thousands of Estonian families, asleep in their homes, to Siberia. The Stalinist regime is ready to treat people like animals.

Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.

Young Benjamin is having trouble adjusting to barbed wirework. Waiting for days to the Mennonite chief but the wait is very long. The other workers, César and Genaro, begin to feel that the Paraguayan Chaco is getting strange and tiring.

The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.

When a woman accidentally kills her detested husband, a selfless young man takes the blame and goes to prison. Complications ensue when he is provisionally released.

Shrouded in secrecy and notoriously cash-strapped the North Korean regime has resorted to running one of the world's largest slaving operations - exploiting the profits to fulfil their own agenda. These bonded labourers can be found in Russia, China and dozens of other countries around the world including EU member states. Featuring undercover footage and powerful testimonials, we reveal the scale and brutality of the operation and ask what, if anything, is being done to stop it.

After the fall of the Berlin Wall, thousands of documents were hastily shredded by the dreaded GDR political police. 16,000 bags filled with six million pieces of paper were found. Thanks to the meticulous work of technology, the destinies of men and women who had been spied on and recorded without their knowledge could be reconstructed.

Drama set at the end of World War Two in China. A young woman, fighting for the independence of her homeland is tortured for the whereabouts of the treasure left by her war profiteer father.

A daring documentary delving into the experiences of a Ukrainian forced labourer in Germany during World War II, exploring themes of love, loss, and profound longing. When the filmmaker’s grandmother was 19, she was taken from Soviet Ukraine to Germany to work on a Bavarian farm under National Socialism. She had the luck and perseverance to survive the hardships of the forced famine in her homeland and forced labour in the new one. The stories of her everyday life – learning how to milk a cow, and falling in love – are interspersed with three generations of reflections on politics, longing, feelings of displacement and loss. Hand-processed black & white film, colour film, photographs and official documents create a montage of different perspectives. The hand-touch aesthetic combines with the acousmatic effect of disembodied voices, in this deeply intimate portrait obscured by memory loss, mistranslation, fear and trauma.