The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.

A comedy about an old married man that travels to London with his nephew who does his to save him from exposure to fraud, and being mugged in London, the play also covers some political aspects and projections in addition to social criticism of some of the Arab situations.

Dr. Raafat faces challenges and difficulties in raising his three daughters, Fawzia (Sanaa Younis), Soso (Shreihan) and Nadia (Ijlal Zaki).

Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.

A dark Kuwaiti comedy that follows "Arab," an idealist who embarks on a fantastical journey with "Marjan the Genie" to unite the Arab world—only to confront a reality far from his hopes.

A Kuwaiti social comedy play presented to the leaders of the Gulf states at the Gulf Summit in 1985, which was written by Abdul-Hussein Abdul-Ridha, a satirical play that discusses family issues, family bonding and religious extremism, the play talks about the loss of children and the home, neglect of parents, and who is responsible for that.

The fugitive Sayed seeks refuge with his uncle who works as a cook for a wealthy family. When the family's daughter gets divorced for the third time, the family enlist Sayed's help to marry her as a mohallel so she could reunite with her husband.

In Seize Your Day, a greedy fabric merchant’s selfishness sparks endless conflicts, leading him to lose both business and relationships in a satirical take on the folly of unchecked ambition.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

A satirical stage play that explores the challenges facing sports in Kuwait, including fanaticism, social issues affecting athletes, and the role of official committees sent by the federation to represent the country in international events.

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

The events of the play revolve around the problem of the similar who is used as a substitute for the original, whereby a similar is used in order to obtain a reward from a rich man and the monument on him, and this similar is trying to get close to the daughter of the rich man.

A Kuwait play about a family that is looking for a house maid to help them with house work and displays house maid problems and how badly they are treated.

In this Kuwaiti comedy, Dr. Salem, a veterinarian, is desperate to convince his fiancée, Samia, that he's a physician for humans, not animals. To pull off the ruse, he enlists his assistant to disguise the clinic's true purpose, leading to a series of humorous mishaps and misunderstandings. As the charade unfolds, comic twists ensue, putting both his relationship and his secret at risk.