도시 개발을 앞두고 있는 대기업의 임원진들이 연쇄살인으로 인해 죽어간다. 사건 현장에 남겨진 유일한 단서는 피카소 풍의 그림뿐! 디트로이트 최고의 프로파일러 형사팀은 의문의 연쇄살인범을 쫓기 시작한다. 그 와중, 리더 알렉스 크로스 박사의 아내 역시 연쇄살인범의 희생양으로 지목되고, 팀원 모니카마저 납치당하는 위험에 처하게 되는데…
어쩔 수 없이 작은딸을 헝가리에 남겨둔 채 큰딸만을 데리고 미국으로 망명하게 된 한 헝가리인 부부의 이야기. 그들은 6년 후 적십자를 통해 힘겹게 찾은 작은딸 수잔느를 미국으로 데려오지만, 수잔느는 반항적이고 정체성에 혼돈을 느끼는 10대로 성장한다. 15세가 되자 수잔느는 자신의 진정한 뿌리와 정체성을 찾기 위해 헝가리 부다페스트로의 여행을 결정한다.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
After learning to 'write what you know,' in film school, Half-Filipino and Half-White aspiring filmmaker Andrew Orticio travels back to his father's village in the Philippines to understand his mixed identity.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
Following the success of Ali’s last special THE DOMINO EFFECT (over 9 million views in the first year) comes the sequel “THE DOMINO EFFECT 2: LOSS”. Ali tells the traumatic stories of his adolescence that ultimately lead to him going to prison for 6 years.
By light, or lack thereof, and sound, or lack thereof, I’ve tried to disassociate and then return to find something strange in the most familiar.
A personal, poetic essay film exploring eye contact, social anxiety, and the nature of connection between self and other.
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.
The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.
After being tasked with creating a piece of work summarizing their filmmaking journey, 18 year old Lewis Bedford reflects on their history in film and video.
Mama used to sing and dance. Pabung is a poet. I saw mama crying only once in my life, when she lost her ema. Pabung lost his ema when he was young, and he has kept her alive in his vivid memories and poems ever since. I keep having nightmares about losing mama and pabung. Mama wants me to be a singer after I disappointed her by not becoming a doctor. She also wants me to record her singing, which I keep forgetting. Seeing me down and depressed, wandering aimlessly and successlessly, pabung bought me a camera when I left my day job and said I wanted to be a filmmaker. I haven’t made anything noteworthy yet. However, I did some random lens tests by filming them with that camera.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.