Basado en el best seller de James Patterson. En esta ocasión el detective Alex Cross se enfrentará a un criminal que asesina por dinero, pero también por placer. Alex, es un psicólogo y detective del FBI que se encuentra inmerso en su nueva misión. Varios componentes de una banda criminal están siendo brutalmente asesinados, hecho que aparentemente parace ser un ajuste de cuentas de una banda rival, pero tras realizar diversas investigaciones, va descubriendo que hay extrañas relaciones entre estas muertes y otras ocurridas en el pasado. Esto hace que el detective se tema lo peor, ya que esas muertes están vinculadas a un sanguinario asesino en serie llamado Michael Sullivan, que disfruta matando. La peligrosidad del caso va aumentando cuando Alex es descubierto por Sullivan.
En 1950, los húngaros Peter y Margit deben huir de la opresión comunista y viajar a los Estados Unidos. Pero durante la escapada, su hija pequeña, Suzanne, queda atrás por error. Seis años más tarde, la pareja lleva una vida acomodada en California y se las arregla para que su hija regrese con ellos, algo que supondrá un choque para Suzanne, adoptada por una familia rural.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
Una historia en primera persona de la directora del documental, que habla de la soledad que supone vivir un trastorno alimentario y su visión ahora que está entrando en la edad adulta.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
After learning to 'write what you know,' in film school, Half-Filipino and Half-White aspiring filmmaker Andrew Orticio travels back to his father's village in the Philippines to understand his mixed identity.
Following the success of Ali’s last special THE DOMINO EFFECT (over 9 million views in the first year) comes the sequel “THE DOMINO EFFECT 2: LOSS”. Ali tells the traumatic stories of his adolescence that ultimately lead to him going to prison for 6 years.
¨Con traje y sin zapatos¨ es la inmersión al imaginario de la muerte a partir de cinco personas distintas. Nadie muere si no se le olvida... pero, ¿dónde vive mientras tanto?. La directora emprende la búsqueda de este espacio personal de cada uno para encontrar el suyo propio. Se encuentra con cinco protagonistas que han perdido a un ser cercano, pero ¿cómo lo piensan ahora? Describen el lugar en el que sitúan al difunto y un ilustrador le da forma para convertirlo en animación. Su imaginario animado se intercala con las secuencias reales de ellos, dónde vemos que ambas partes estan relacionadas. Su imaginario es una proyección de su vida.
A personal, poetic essay film exploring eye contact, social anxiety, and the nature of connection between self and other.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Mama used to sing and dance. Pabung is a poet. I saw mama crying only once in my life, when she lost her ema. Pabung lost his ema when he was young, and he has kept her alive in his vivid memories and poems ever since. I keep having nightmares about losing mama and pabung. Mama wants me to be a singer after I disappointed her by not becoming a doctor. She also wants me to record her singing, which I keep forgetting. Seeing me down and depressed, wandering aimlessly and successlessly, pabung bought me a camera when I left my day job and said I wanted to be a filmmaker. I haven’t made anything noteworthy yet. However, I did some random lens tests by filming them with that camera.
An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.
After being tasked with creating a piece of work summarizing their filmmaking journey, 18 year old Lewis Bedford reflects on their history in film and video.
By light, or lack thereof, and sound, or lack thereof, I’ve tried to disassociate and then return to find something strange in the most familiar.
The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.