Explora todas las facetas de la vida de Yankovic, desde su meteórico ascenso a la fama con éxitos tempranos como 'Eat It' y 'Like a Surgeon' hasta sus tórridas aventuras amorosas entre celebridades y su famoso estilo de vida depravado.
Rosalba se há quedado olvidada por parte de su marido y sus hijos en la cafetería de la autopista.
Ella tratará de volver a casa por su cuenta, pero el destino hace que se detenga en Venecia...
y decide quedarse unos días para ver la ciudad.
Narra la historia de un niño campesino con un padre tan tiránico y autoritario que le impide ir a la escuela o tener amigos.
Ollie y Stanley marchan hacia tierras escocesas en busca de fortuna. Lo que allí les lleva no es otra cosa que una herencia de Stan, aquí apellidado MacLaurel. Pero, hete aquí, que cuando recibe la herencia todos sus anhelos se frustran: el montante consiste en unas gafas y una pitillera. Así las cosas, la pareja se enrola en las fuerzas de Su Majestad para luchar en las fronteras de la India.
Un recogedor de basura sueña con obtener fama y dinero en el mundo de la comedia alentado por su amigo y compañero de trabajo. A pesar de que su amigo, que lo acompaña en el acordeón, no deja de decirle lo grande que es, en realidad no posee talento alguno. Cuando al humorista le crece un tercer brazo en la espalda repentinamente, éste lo utiliza como parte de su espectáculo y consigue que lo represente un agente, con lo que comienza a ganar la notoriedad que buscaba.
Ten-year-old Clossie is having the worst holiday of her life – dragged to a seaside naturist resort by her fun-loving single mother. When Mum starts flirting with a fishmonger called Nick, there’s nothing for it but her to tail them with binoculars to try and unravel the adult mysteries of attraction.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Joy is an emotionally damaged young woman of eighteen, who was given up at birth, to grow up in homes and with foster families. She lives on the fringes of society, getting by on benefits and earning a little extra by playing the accordion in the subway. In addition, she is a skilled shoplifter and has never been caught.
The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.
Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.
Kotori Haneda is a university student interning at a publishing house. While doing her internship, she is partnered with another intern named Eba Shimazaki; the two start a relationship, but her happiness is not to last.
Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.
In a distant nation, even foreign to those within, an oppressed factory worker embarks on a perilous odyssey to find his polka idol and prove himself to his long-lost love.
An old Brazilian musician, Rato Branco, seeks out the old masters of the 8-bass sanfona in the backlands of Bahia to recover the secrets and traditional touches of the Pé de Bode, as this sanfona is known in northeastern Brazil. The film recounts the friendship between the master Rato Branco and the great musicians of the sertão, revealing the musical memory of this region.