After one gets accepted into a top university, both brothers grapple with the prospect of change as they struggle to accept their futures.
Paco and Felipe invite their girlfriends to spend the weekend at the farm of Mr. Rodríguez and they get into comedic situations.
After moving back to their hometown in Wyoming, a family starts a ranch for special needs children, hoping to provide a sanctuary where everyone can feel like they belong.
There is trouble on the Bar D ranch as cowhand Mile Ahead plans to rustle the herd. He starts a fire on the opposite side of the ranch to keep the hands busy and also kidnaps the new school teacher. Fighting the fire, Foreman Denver leans the cattle are gone and going after Mile Ahead, learns the teacher is a prisoner in the school and the fire that is now out of control is heading her way.
Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.
In the 1960s the cattle mutilation phenomenon became a widespread concern across the American west. Cases erupted around states like Wyoming, South Dakota and Colorado of livestock being preyed upon in ways that puzzled even established scientists. Today, cattle mutilations are thought to go hand in hand with mysterious objects in the skies (commonly referred to as UFOs or UAPs) and that’s what first brought indie documentary crew Small Town Monsters and investigator Shannon LeGro to the Miller Ranch in southern Colorado.
Produced in Arizona, this very low-budget Western starred Walter Wayne as a law-abiding citizen helping to get his neighbor (Steve Raines) out of the hoosegow. The latter, however, repays the gesture by giving shelter to Lee Morgan and his gang of rustlers.
Ross Kemp tracks down animals who once belonged to Michael Jackson at his Neverland ranch.
This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.
An easy-going cowboy is forced to work on the ranch of a bossy 'able-minded' three-time widow who has designs on him.
Tim Hart (Tim McCoy), a former Texas Ranger, comes out of retirement to avenge the death of Lightnin' Ed (Frank LaRue), his foster father, who had been sent to Rainbow's End, to investigate a series of train robberies. He senses that George Johnson (Walter McGrail) and his henchman, Speck (Bob Kortman), head the robbery gang, especially after Speck makes an ambush attempt on his life.
Having quit their old gang and gone straight, Bert Allen and Joe Kemp finally own their own ranch after three years, but Joe robs the Riverton bank of the Green River Dam payroll - using Bert's horse, gun and gloves and leaving behind Bert's hat.
The "gentleman" is played by John King, but the star of the show is J. Farrell McDonald, cast as a chronic gambler named Coburn. When the old man loses every penny he has, wandering cowboy Pokey (King) comes to the rescue by grooming a wild stallion for a successful racetrack career. Everything comes to a head during the climactic Big Race, with the expected (but still satisyfing) results. Ruth Reece and Joan Barclay share the leading-lady responsibilities, while the villainy is in the capable hands of Monogram's ace utility actor Craig Reynolds.
After a drive-thru deprives food fanatic Brandon of his beloved ranch dressing, he derails his friend Dave’s first date and forces him to join an outlandish race against the clock that will put their friendship to the test.
The son and daughter of feuding ranchers defy their fathers in the name of love.
Dan Hurley wants to sell wild horses and is trying to get the Wild Game Laws that protect them changed. To get his petition signed, his henchman paints his trained horse to look like the wild horse leader and has it kill a man. Johnny Revere finds traces of paint on a horse and tries to arrest Hurley and his men. But he is captured by the gang and is now slated to be the next victim of the trained horse.
Radio star Jack Benny, intending to stay in New York for the summer, is forced by the needling of rival Fred Allen to prove his boasts about roughing it on his (fictitious) Nevada ranch. Meanwhile, singer Joan Cameron, whom Jack's fallen for and offended, is maneuvered by her sisters to the same Nevada town. Jack's losing battle to prove his manhood to Joan means broad slapstick burlesque of Western cliches.
Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.
In this western, the good-guy battles his bad-guy double and his band of outlaws to protect a purty gal's ranch.
Six-year-old Sugar Grey has inherited a ranch, which she will lose to her cousin Jeff Grey if a certain number of cattle aren't delivered on time.