After moving back to their hometown in Wyoming, a family starts a ranch for special needs children, hoping to provide a sanctuary where everyone can feel like they belong.
Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.
Tim Hart (Tim McCoy), a former Texas Ranger, comes out of retirement to avenge the death of Lightnin' Ed (Frank LaRue), his foster father, who had been sent to Rainbow's End, to investigate a series of train robberies. He senses that George Johnson (Walter McGrail) and his henchman, Speck (Bob Kortman), head the robbery gang, especially after Speck makes an ambush attempt on his life.
Produced in Arizona, this very low-budget Western starred Walter Wayne as a law-abiding citizen helping to get his neighbor (Steve Raines) out of the hoosegow. The latter, however, repays the gesture by giving shelter to Lee Morgan and his gang of rustlers.
A gang of robbers steals the deed to the Pecos Ranch and kill the family. The young son escapes, and years later he returns to the ranch to find the killers and reclaim his property.
Having quit their old gang and gone straight, Bert Allen and Joe Kemp finally own their own ranch after three years, but Joe robs the Riverton bank of the Green River Dam payroll - using Bert's horse, gun and gloves and leaving behind Bert's hat.
After a drive-thru deprives food fanatic Brandon of his beloved ranch dressing, he derails his friend Dave’s first date and forces him to join an outlandish race against the clock that will put their friendship to the test.
Dan Hurley wants to sell wild horses and is trying to get the Wild Game Laws that protect them changed. To get his petition signed, his henchman paints his trained horse to look like the wild horse leader and has it kill a man. Johnny Revere finds traces of paint on a horse and tries to arrest Hurley and his men. But he is captured by the gang and is now slated to be the next victim of the trained horse.
This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.
Fuzzy and Billy discover a woman they rescued during a stagecoach holdup is actually a member of the holdup gang.
Paco and Felipe invite their girlfriends to spend the weekend at the farm of Mr. Rodríguez and they get into comedic situations.
In this musical western, a cowboy band is offered the chance to appear in a Hollywood movie and begins the journey to the West Coast. Unfortunately, the band ends up stranded in Texas and must take a job running a ranch. Musical mayhem ensues: Songs include: "Let's Love Again," "Where the Prairie Meets the Sky," "Don't You Ever Be a Cowboy," "Texas Polka," "No Letter Today," "I Got Mellow in the Yellow of the Moon," "Sip Nip Song," "Salt-Water Cowboy," "The Blues," "Little Brown Jug" and "And Then."
Mulford sends Ed Harley to manage Radigan's rundown ranch. He makes a success of it but when called to return, he asks Radigan for a loan. Radigan says he can have the loan but not his daughter, but Ed wants both.
In the 1960s the cattle mutilation phenomenon became a widespread concern across the American west. Cases erupted around states like Wyoming, South Dakota and Colorado of livestock being preyed upon in ways that puzzled even established scientists. Today, cattle mutilations are thought to go hand in hand with mysterious objects in the skies (commonly referred to as UFOs or UAPs) and that’s what first brought indie documentary crew Small Town Monsters and investigator Shannon LeGro to the Miller Ranch in southern Colorado.
It's World War 2 and saboteurs are out to destroy the ranchers food crop. Steve Travis and sidekick Cannonball have been called in to investigate. Avoiding the attempts on his life by the gang, Steve uses a pair of eyeglasses to discover their leader, a supposedly deaf mute shoe repairman.
Ross Kemp tracks down animals who once belonged to Michael Jackson at his Neverland ranch.
As Bruce Lanning posts a "no trespassing" sign at a watering hole on his Circle A ranch, his sister Jane rides up with news that Wes Caven, the hired gun of the Elwood brothers, is looking for him. Soon after, Wes appears and kicks over the sign. Later, Sunset Carson, Wes's boyhood friend, rides into town to invite Wes to become a partner in his new ranch. Just as Wes declines the offer and offers Sunset a job working for the Elwoods instead, Bruce bursts into the saloon, demanding to see Frank Elwood. Not to be confused with the 1950 John Wayne film of the same name
An easy-going cowboy is forced to work on the ranch of a bossy 'able-minded' three-time widow who has designs on him.
Rodeo contestants Johnny King and Corrigan meet, their fathers having been members of the Range Busters. When Johnny is knocked unconscious, time reverts to their father's era and the Range Busters are soon involved in the scheme to get Railroad right-of-way across Mother Slocum's ranch. When she is tricked into signing a release, the Range Busters find their job more difficult as the Sheriff is in with the crooks.
The "gentleman" is played by John King, but the star of the show is J. Farrell McDonald, cast as a chronic gambler named Coburn. When the old man loses every penny he has, wandering cowboy Pokey (King) comes to the rescue by grooming a wild stallion for a successful racetrack career. Everything comes to a head during the climactic Big Race, with the expected (but still satisyfing) results. Ruth Reece and Joan Barclay share the leading-lady responsibilities, while the villainy is in the capable hands of Monogram's ace utility actor Craig Reynolds.