O filme conta a história de Ansa, uma repositora de prateleiras num supermercado com um contrato de zero horas, mais tarde tornando-se uma classificadora de plástico reciclável, e Holappa, um jateador de areia, inicialmente alcoólico e posteriormente um ex-alcoólico. Os seus caminhos cruzam-se acidentalmente e, apesar das adversidades e mal-entendidos, tentam construir algum tipo de relação no lado mais difícil do estado social.

Desde pequena que o patife do pai incutiu em Amy que a monogamia não é realista. Agora escritora numa revista, Amy rege-se por esse lema desfrutar de uma vida desinibida, livre de sufocos e compromissos românticos aborrecidos mas na verdade, ela caiu na rotina. Quando se apercebe que se está a apaixonar pelo tema do seu novo artigo, o charmoso e bem-sucedido médico Aaron Conners, Amy começa a pensar se outros adultos, incluindo este tipo que parece gostar realmente dela, podem estar a fim de algo.

O cineasta Salvatore Di Vitta recebe um telefonema da mãe que lhe comunica a morte do seu velho amigo Alfredo. Salvatore – ou Toto – é invadido por recordações, revisitando a sua infância, na sua Sicília natal, quando vivia fascinado pela cabina mágica de Alfredo, o mal-humorado projeccionista do cinema da vila: o Cinema Paraíso.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.

When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.

Situado em redor de um cinema antigo numa vila costeira inglesa no início dos anos 80, acompanha Hilary, uma gerente de cinema que se debate com a sua saúde mental, e Stephen, um funcionário novo que anseia por fugir desta vila provinciana onde enfrenta adversidades diárias. Tanto Hilary como Stephen encontram um sentimento de pertença através da sua relação improvável e afetuosa, onde vivenciam o poder curativo da música, do cinema e da comunidade.

Guillermo del Toro, Rian Johnson and other film luminaries look back at LA's historic Egyptian Theatre as it returns to its former movie palace glory.

At a seedy theater in a sleepy suburban town, a group of friends get together for a midnight screening of an early 1970s horror film, unaware that the director has something more in store for them.

Vincent Price estrela como um obcecado médico que descobre que o medo provoca o crescimento de uma criatura parasítica na espinha dorsal das pessoas amedrontadas. Se elas gritam, esta força diabólica pode ser destruída. Se não, pode romper a coluna e matá-las. Ele isola com sucesso e remove o invasor do corpo de uma surda muda, que havia sido aterrorizada pelo marido. Capturada, a criatura escapa e foge para um cinema lotado. O terror está à solta, será que alguém poderá detê-lo?

With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.

Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

Na última noite antes de um velho cinema fechar uma jovem japonesa corre para o cinema, mesmo apesar da chuva. O cinema parece deserto, sem vida. Mas, no entanto, há algumas pessoas, algumas talvez não sejam pessoas...

Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

DEFINITION: 'Celluloid' - Motion picture film, cinema film. 'Bloodbath' - Savage, indiscriminate killing, a massacre. CELLULOID BLOODBATH: MORE PREVUES FROM HELL - the long-awaited sequel to 1987's horror cult classic, MAD RON'S PREVUES FROM HELL. An awesome collection of 61 over-the-top horror movie prevues, from the golden Grindhouse age, spanning the 1960's through the 1980's! Also features commentary from film makers, actors, critics and fans, that make this a true, incredibly entertaining, one-of-a-kind movie-going experience!

This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

Three young movie theater employees are given the task of re-opening a long-closed, old-time theater at which, many years before, a shocking series of grisly murders took place. It seems many more murders have occurred since then but all of this remains unknown to these three young upstart employees hoping to finally make it big on their own. As they approach the grand re-opening night, things keep getting stranger and more unsettling with items suddenly starting to move around by themselves without any seen aid and a terrifying old man seemingly haunting the premises.

Elmer Fudd chases Bugs Bunny all the way from the woods to a local movie theater, where cinema-related hijinks ensue.