A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

An account of karate competitor Choi Yeung-Eui who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama and went across the country, defeating martial artists one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.

L'última pel·lícula dels productors de "Paràsits" és un thriller d'acció realista sobre una venjança entre assassins a sou degut a un assumpte no resolt en el passat. Un assassí arriba a Tailàndia per a resoldre un cas de segrest, però es veurà perseguit per un home amb qui manté un deute del passat.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

Romeo, A.K.A. Kosuke Matsuyama, is a second-year high school student. A nice, normal, nonviolent type, he suddenly finds himself in the middle of a rampaging crowd of Korean boys, outraged by insults perpetrated by several of his idiotic class-mates on two Korean girls. He makes a narrow escape, but soon after, he and his best bud Yoshio are sent by their home-room teacher to invite the Korean students to a friendly soccer game as a way of restoring the peace.

Hidenori is a Japanese-Korean man with no sense of belonging, destination or education. He drifts around and meanders through life until a death reminds him of his heritage and so begins a journey to South Korea.

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

Story of Rikidozan, a sumo wrestler who can only achieve limited success in Japan because he's half Korean. But when Rikidozan goes to the United States and discovers professional wrestling, he becomes a hero back home.

Set in the 1970's in the Kansai region of Japan.. Yong-Gil is Korean, but he moved to Japan and settled down. He runs a small restaurant named Yakiniku Dragon. He is married and has three daughters: oldest daughter Jung-Hwa, middle daughter Yi-Hwa and youngest daughter Mi-Hwa. Oldest daughter Jung-Hwa is dating Tetsuo, but they break up. Middle daughter Yi-Hwa loves Tetsuo and marries him, but Tetsuo still loves her older sister and they divorce. Youngest daughter Mi-Hwa wants to become a singer, but she is in love with a married man.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.

In April 2013, unfamiliar faces appear at the Jamsil Baseball Stadium during the opening matches between Doosan and SK. The nervous middle-aged men throwing and batting the first ball are, in fact, Korean-Japanese former team members that played on that same spot in the 1982 finals of the Bong-hwang-dae-ki games.

This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

Ao Chong is the first feature film directed by Lee Sang-Il about Korean high school students growing up in Japan.

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society. 

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state.