Una mujer llamada Sam trata de sobrevivir a una invasión en la ciudad de Nueva York por criaturas alienígenas sedientas de sangre con oídos ultrasónicos. Tercera entrega de la saga.
El protagonista es un ingeniero de sonido que trabaja en películas de terror baratas. Una noche, mientras graba efectos sonoros, observa cómo un coche en el que viaja una pareja cae desde un puente a un río. A pesar de sus esfuerzos, sólo consigue salvar a la chica. Cuando se entera de que el hombre muerto era un candidato a la Presidencia de la Nación, recuerda haber escuchado un disparo antes del accidente y, entonces, empieza a sospechar que fue un atentado.
Un actor en problemas, el conductor de un programa de televisión, y un aclamado diseñador de videojuegos buscan mejorar sus vidas mediante un extraño sistema. La película esta dividida en tres episodios en torno a un único tema: los reality shows. Cada uno de los capítulos está rodado de manera distinta y cuentan distintas historias que terminarán por cruzarse. (FILMAFFINITY)
Harold Anderson se presenta como voluntario para salvar a su especie (alienígenas de un lejano planeta altamente evolucionado y cuyos habitantes carecen de emociones y se reproducen por clonación). El plan consiste en viajar a la Tierra para tener un hijo con una terrícola, pero, al principio, muestra una gran torpeza en su relación con las mujeres.
Spike (a veces llamado Killer o Butch), el perro enemigo de Tom, intenta dormir la siesta, pero las ruidosas persecuciones del gato y el ratón se lo impiden. Spike le advierte a Tom que si lo vuelven a despertar lo despellejará vivo.
A woodpecker (Woody) repeatedly pecks the roof of Andy Panda's and his father's home. Daddy sets out to stop it.
A rabbit tries all he can to keep a hunting dog awake before tomorrow's big hunt.
When a woman is being called in the middle of the night, she finds out that it's not her husband laying next to her.
After he inherits some money, Harold Bissonette ("pronounced bis-on-ay") decides to give up the grocery business, move to California and run an orange grove. Despite his family's objections and the news that the land he bought is worthless, Bissonette packs up and drives out to California with his nagging wife Amelia and children.
Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. This DVD set marks the first time that this show has been made available since its original airing.
Después de un prólogo sobre la escasez de mano de obra tan aguda que algunos empleadores contratarían a alguien, un hombre de negocios muy cansado necesita algo de sueño y se hospeda en un hotel administrado por Elmer Fudd.
Elmer Fudd takes in Sylvester Cat and an orange kitten during a cold winter night. He'd like to adopt both, but can only keep one. He decides to go to bed and make up his mind in the morning. Sylvester and the kitten both want to be the one who is adopted, so each tries framing the other for noisy misdeeds.
White Noise follows Ava, who suffers from misophonia - an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world's quietest room.
Poopdeck Pappy has a hangover. He asks Popeye to help him by keeping the noise down. Among the disturbances he deals with: a crying baby across the way, a horse-drawn milk truck, a factory whistle, a radio, a traffic accident, a construction site, and a blasting site.
When Popeye takes the baby for a walk in the stroller, the little one won't be quiet unless he's sleeping. Of course there's no end of noisiness.
Woody Woodpecker tries to get a night's rest in a bell tower.
A radical remix of the recent Transformers film, via synthetic
collapse and critical revenge on its old & new fascist tropes >
celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent
poetry of the Futurists are superimposed on the mythic morphology of
the Autobot blockbuster’s machine mayhem. Images of death &
destruction reign in a delirium of transformations as, to quote
Marinetti: “We Decompose the Universe!”
Pedro is a young man who begins to be tormented by a mysterious noise coming from the wall of his house, and he is the only one who can hear it. As the days go by, Pedro tries to find out where this sound is coming from in order to put an end to it and discovers that the noise is not actually coming from the wall.
DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.
Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.