Historically, the queer community has not been portrayed in mainstream culture as being capable of protecting children and young people. Yet my uncle Ricardo, himself an openly gay man, was the ultimate guardian of my childhood.
Se Met Ko is a model fictional analysis of attitudes and misconceptions about AIDS within a Haitian-American neighbourhood. The video uses indigenous cultural references and socially-specific occasions to demonstrate how communities, with individuals acting in enlightened co-operation, can responsibly respond to the AIDS crisis.
An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.
Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time.
Journey of a man's visit to an all-male sex club bathhouse.
Please Adjust Your Sex is a DIY no-budget videotape by and for young people that encourages viewers to engage in safer sex and safer drug use practices while also encouraging them to embrace their desires and reject the patronizing and moralizing media cacophony bombarding them everyday.
Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
A wry commentary on the treatment of people with HIV, adapted from an uncompleted film by Stephen Cummins.
This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.
Documents the lives of a number of San Franciscans living with AIDS/ARC who have tried to face society's terror and paranoia. Shows the efforts of friends and families of AIDS victims who steadfastly support their loved ones, the efforts of the Shanti Project to provide physical and psychological services to AIDS/ARC victims, and the personal efforts of Bobby Reynolds who has confronted society's fears through his writings and speeches.
The film provides information about the course and symptoms of AIDS, the effect of AIDS viruses on the immune system, the routes of infection, the main risks of infection and the protective measures against them.
Fictionalized documentary about the history of HIV/AIDS in Argentina from its inception up until 2006.
Voices of Positive Women is a ground-breaking documentary examination of the impact of HIV and AIDS on the lives of women working from material published in the book "Positive Women", a collection of personal accounts of women from all over the world living with AIDS and HIV. Bravely sharing their experiences publicly in what until now has been a void of information and support, and in some cases medical and bureaucratic denial that women are even at risk, the nine women presented in Voices of Positive Women speak compellingly on their own terms of their personal struggles for survival and voice.
That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.
This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.
With frank language and explicit imagery, this video addresses difficult issues such as sex and injection drug use in the age of AIDS. It is non-judgemental in its portrayal of young people acquiring, using, and sharing knowledge about safer sex and needle use. The video was produced by, for, and with "street youth" by the STD Prevention Project of Youthlink—Inner City in Toronto, Canada.
A Japanese PSA about AIDS