A Japanese PSA about AIDS
A wry commentary on the treatment of people with HIV, adapted from an uncompleted film by Stephen Cummins.
Please Adjust Your Sex is a DIY no-budget videotape by and for young people that encourages viewers to engage in safer sex and safer drug use practices while also encouraging them to embrace their desires and reject the patronizing and moralizing media cacophony bombarding them everyday.
This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.
Tanzanian queer singer Tofa Jaxx in conversation with HIV/Trans activist Aunty Ali, exploring issues of sex work, gender and being out.
An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.
Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
Ananias, a San Francisco Bay Area artist and immigrant, performs the folkloric Danza de los Viejitos (the Dance of the Old Men). Originally from Michoacán, Mexico, where the dance originates, Ananias interprets its movements through the lens of his spirituality, his long-term HIV-related disabilities, and his search for a place in the world.
This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.
That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.
A film that exposes the reality of young homosexuals who live in the outskirts of Rio de Janeiro, suffer the effects of poverty and misery, but do not lose their identity, dignity and creativity. They are homosexuals, transformers, butterflies of Brazilian real life.... They experience the possibilities and the limits of gender and sexuality, face discrimination with their heads held high, with courage, and determination... They fight for the right to be different and demand, in many ways, that their difference be respected.
Produced by the activist video collective ACT UP/NY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration "Stop the Church" by WHAM! (Women's Health Action and Mobilization) and ACT UP/NY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.
An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.
Historically, the queer community has not been portrayed in mainstream culture as being capable of protecting children and young people. Yet my uncle Ricardo, himself an openly gay man, was the ultimate guardian of my childhood.
Documents the lives of a number of San Franciscans living with AIDS/ARC who have tried to face society's terror and paranoia. Shows the efforts of friends and families of AIDS victims who steadfastly support their loved ones, the efforts of the Shanti Project to provide physical and psychological services to AIDS/ARC victims, and the personal efforts of Bobby Reynolds who has confronted society's fears through his writings and speeches.
