Isabella (Witherspoon) es la esposa de un ingeniero químico egipcio (Omar Metwalley) cuya familia emigró a Estados Unidos a mediados de los años 80. Tras ser detenido como sospechoso de terrorismo, es trasladado a unas instalaciones secretas fuera de los Estados Unidos donde, bajo la atenta mirada de un agente de la CIA (Jake Gyllenhaal), le interrogan utilizando métodos poco ortodoxos.
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
A young Argentinian reporter is writing an article about snuff films - which depict real torture, rape and murder of people. But seeking the films and those behind them might backfire. She herself is in danger of becoming one of the suffering.
The Polish film based on the book of the same name by Władysław Reymont. Taking place in the nineteenth century town of Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
This is based on a true story. Solomon Northrop is a black man in the mid 19th century before slavery was abolished. He's a born free man who works as a carpenter and is also a part time musician. One day he is approached by some men who want him to play for them. However, that is not their intention; they have kidnapped him and sold him into slavery. Now he has to endure the hardships that he has been spared because of his status as a free man. And his family who don't know what happened to him is searching for him but where do they go? And Solomon also wishes to let them know where he is so that they could get him but unfortunately no one believes his story or is willing to help him.
In a simple but powerful way, director Ryszard Czekala presents the horror that happened in Nazi concentration camps: prisoners’ dread, humiliation and lost humanity. Its directness and style is sometimes interpreted as a response to the trend of allegorical and philosophical filmmaking that dominated Polish animation in the 1960s.
The rise and fall of Nazi Germany in part through the use of classical allegory.