When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.

As she plays a character that ressembles her in a story that ressembles hers, Sarah realizes that she needs go get away from her partner and the movie set she's in to get her well-being back.

In 1974, Morikazu is 94 years old and his wife Hideko is 76 years old. They live at a house in Ikebukuro, Tokyo. The garden at their home is full of trees, plants and insects. Morikazu paints pictures of the creatures in his garden and also observes them. This has been his daily routine for more than 30 years. Morikazu and Hideko entertain visitors every day including a photographer and the couple living next door.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Kudzu, or Pueraria Thunbergiana, is a vine threatening to take over large portions of the Southern landscape. Imported from Japan by the Departement of Agriculture in the 30's for erosion control, its spreading growth has become a problem of menacing proportions. Kudzu is an off-beat, witty, informative documentary about the vine that is devouring the South. Featuring the Kudzu Queen, the Kudzu rock band, a cast of real-life characters and an appearance by former President Jimmy Carter, it illustrates how Southern cultural traditions have quickly grown up around a botanical pest. The eminent American poet and novelist James Dickey ("Deliverance"), recites three stanzas of his poem, "Kudzu."

On a dystopian island, where the government has banned organic plant life, a man with an artificial flower shop grows real plants in secret, cultivating their surreal properties, trying to breathe some air into the smothering environment.

Ember is a fantasy adventure about the African Fynbos and its inevitable destruction and regrowth. A Nature Sprite with a passion for life and growth discovers a Fire Sprite with a mission to burn everything and worlds collide, but destruction is inevitable.

14-part special in which botanist Francis Hallé explains forest science and processes. Part of the "Once Upon a Forest" physical release.

Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces.

In addition to asexual reproduction, sexual reproduction based on seed development is common in the world of plants. The possibility of selectively crossing male and female plants to obtain seeds with desired characteristics is of great importance for the breeding of new plant varieties. The short film shows the dispersal of seeds - alone or together with fruits or fruit parts

Wild Flowers Plants of Palestine follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

The undertaking of an enthusiastic group of scientists to transform an indoor cycle racing-track built for the 1968 Montréal Olympics into an ecological park. The Biodôme of Montréal contains 4 ecosystems of the 3 Americas, from the Tropical Forrest to the Polar World, from the Laurentian Forrest to the St-Lawrence Marine Environment.

We went to the fields to find out what they had to say.

Short film showing plants and a scene with a lonely dog

The secret world of plants gets us closer to these motionless and quiet creatures, so attractive and surprising as the rest of the living creatures. The documentary reveals the most unknown aspects of the vegetable kingdom. We learn about the secret of the eternal youth of a 3500 years old sequoia and be charmed by the 'rafflesia arnoldi' flowers, able to reach up to one meter of diameter.

Three filmmakers bring back images of the forest, they are are reworked and destructured with the means of the photochemical laboratory.

Bosco is a visual breakthrough punctuated by a contrasted and hypnotic

black and white hypnotic black and white.

Lena is nine-year-old. One day, she spontaneously makes an act of love that will change her life. She will take care of a plant. An action so simple yet unusual that nowadays only children could instinctively do. Will this revolutionary gesture change the future of our world? In a blurry society made by technological progress and innovation, can a simple action become a revolution?

A climbing, coiling, trailing vine.

Inescapable growth.

It smothers that which it climbs.

"There are things in this world that are yet to be named" centers around Solanum plastisexum - an Australian tomato whose sexual expression is unpredictable and unstable, challenging even the fluid norms of the plant kingdom. Footage of the team of botanists who recently used their Solanum research to explode notions of sexual normativity in any plant or animal is combined with a voiceover of letters sent between science writer Rachel Carson and her lover Dorothy Freeman. "There are things in this world that are yet to be named" is a meditation on erasure, indefinability, and the intersection of queer and environmental histories.