An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .

South Georgia - alone in a vast ocean. 900 miles from Antarctica, and a mere 100 miles long. A wild rugged landscape with mountain ranges, vast glaciers, windblown plains half buried beneath snow and ice. Three years ago, the Penguin King left home. Now he is returning to the place where he was born and raised: Penguin City. One of the most densely-packed, sought-after pieces of real estate in the entire southern hemisphere and somehow he must establish his own place in it. He must find a mate.

On the Antarctic periphery, bathed by the world's most violent waters, there is a lost island where southern nature is still intact, oblivious to man and its devastating impact. South Georgia is a world apart, a land swept by Antarctic winds known as the Furious 50 which require a constant struggle for survival.

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).