What if ... you let a stranger into your house to use your phone, but while you've been patiently waiting in the kitchen, he just disappears ... or does he? Félix, an architect who has just split up with his girl-friend and inhabits a huge mansion in Barcelona, finds out how many hiding places there really are in his house. But are there enough to hide another person, a strange parasite of living space? Or is Félix really going insane?
"REM" is an Afrikaans Sci-Fi Drama about a grief-stricken father, Dehan, who becomes obsessed with the memory of his late wife, Lena, through the use of a high-tech, dream-altering device, the REM. This unhealthy obsession leads to Dehan struggling to reconnect with his young son, Erich, who survived the car accident that caused Lena's death. Dehan must decide to face and to confront his grief, reconnecting with his son, or to become so immersed in his fantasy dream-world that he loses touch with reality, and Erich, altogether.
"Pygmalion" is an LGBTQ drama that follows Sofie, a drawing student struggling to come to terms with her sexuality.
After a nasty break-up, Faith needs a new roommate to supplement the rent and finds that something very strange is going on with the tenant who decides to move in.
Keo Sinn and her university friends find themselves tormented by the ancient curse of the vengeful Nu Gui. As the malevolent spirit unleashes havoc, Keo is forced to confront her haunting past and unravel a tragic connection to the malignant figure known as Malice. Secrets will be unearthed and the boundaries of reality will blur in this harrowing tale of revenge. Brace yourself for a journey into the realm of supernatural obsession.
An obsessive small town beauty queen goes to great lengths to keep the love of her life from reconciling with his ex-girlfriend.
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
Race car driver Alan Colby and his new wife Denise are involved in a car crash where he sustains a serious head injury, causing him to have murderous feelings toward Denise. After Denise persuades him to honeymoon with her on the Cote D'Azur in France, they enlist the aid of a French psychiatrist who offers to regress Alan back to the time of the accident and cure him.
Monochromatic people (known as 'Monos) live in a world where they are unable to see colour and therefore view their surroundings through varying shades of grey, black and white. However, every Mono has a fated person (known as a 'Probe') who is able to trigger their grey-scale world into colour, inducing what is termed a 'Colour Rush'. Yeon Woo is a Mono. He’s aware that other colours do exist but has never experienced them for himself, nor is he interested in doing so. However, Yeon Woo’s life is forever changed when he meets Yoo Han, his Probe, and experiences his first Colour Rush. Terrified that he'll be obsessed with Yoo Han because of Yoo Han's ability to make him see colour, Yeon Woo tries desperately to avoid Yoo Han—but why does Yoo Han insist on drawing close to him?
