世界末日又如何？開宗明義借詩人史丹尼士羅萊的格言點題：社會走向滅亡，我 們視而不見。黑白是製作助理生涯，一天工作十六小時，開車穿梭鬧市，頻撲物 色受傷工人，為外資企業拍職安宣傳片。彩色人生屬於兼職網紅，偷空以 AR 濾鏡秒變賤男，發表粗鄙猥褻言論諷刺時弊。金熊獎加持後，雷杜祖迪（《春宮野史大批鬥》，2021）盡挖苦嘲諷之能事，混合喜劇、公路電影、蒙太奇形式，對 社會剝削、零工經濟開火。四分鐘的十字架群像，更像是向荒謬現世無聲哀悼。

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

The third installment in one of the most disturbing shockumentary series ever made, and it gets even more sick! Includes an autopsy of an unfortunately real dead infant, a cooking tutorial on road-kill, a walk-through of an abandoned house cleared after the homicide of an exchange-student, and a video of re-enactments of workplace incidents.

An introverted office drone tries to navigate through corporate America, and one tragic day he meets his match. He then realizes he needs to play the capitalistic game in order to survive. His pain and confusion is your laughter.

During 2004 alone, 1400 people in Italy died at their workplace, 3.87 per day. Andrea is one of them.

The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.