巴西金牌编剧鲁伊兹·波洛内西（《大惊小怪》）出手不凡，第一次执导长片就带来了这部大气磅礴的科幻史诗动画大作。影片以横贯五百年、四个时期的巴西为背景，在历史与未来之间，主人公经历生死轮回。与动画大师宫崎骏一样，导演坚持使用手绘创作，为动画风格与人物造型带来一丝执着与复古的色彩，而上海国际电影节的老朋友赛尔顿·梅罗（《小丑》）与戛纳电影节新人奖得主罗德里戈·桑托罗（《球场情圣埃莱诺》）也都在片中倾情献声。
Four siblings, whose their father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.
1970. Beatriz is an 18-year-old student. She is detained by the military dictatorship in Curitiba, Brazil, and tortured for ten days accused of belonging to the subversive student movement and an armed guerrilla that fights against the regime, VAR-Palmares.
With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.
Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.
Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.
Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
A poetic and intimate look at the life and work of photographer Luis Humberto.
Imagine a prison with some ten thousand prisoners, many of them dangerous and, to control them, only a few unarmed employees. Small in number, these employees work in shifts. They are almost prisoners themselves, in a routine of tension, but also of humor and emotion. This prison was all too real. While it was in existence, the Carandiru was the largest prison in Latin America, administered by a reduced number of employees. The documentary shows, from the point of view of these few employees, holding the keys, how the prison operated: the delicate balance in the relationship with the prisoners, affinity among employees, moments of tension and, even, of happiness. These are stories told by former employees, among them, Dr. Dráuzio Varella, author of the book Estação Carandiru. These are the secrets of a place that no longer exists.
"When the shamans stop dancing and life in the rainforest loses its balance, the sky will collapse and come to crush everything." This wisdom is passed down from generation to generation by the Yanomami of Brazil. But gold miners are polluting the rivers, shamans are dying, the rainforest is disappearing and the earth is getting hotter. Davi Kopenawa, a tribal leader and spokesman for the Yanomami, has been fighting relentlessly against the colonization of his land for 40 years. He warns Westerners that when the sky collapses, they too will be crushed. Why don't they listen? Translated with www.DeepL.com/Translator (free version)
Documentary about Swedish emigration to Argentina via Brazil.
A documentary about the amateur municipal team of Itabuna-BA, a team that, during the 1950's and 1960's set a record that, until today, remains unbeaten. The film focuses on the media research and on the ones who made that history.
"O Mar de Antônio Peregrino" tells the fascinating story of the pilgrim Antonio Conselheiro and the village of Canudos. In a region feared by its long droughts, thousands of outcast peasants and Indians came together to build a country utopia. The city has been wiped off the map three times but refuses to die. The film is a journey in search of the people and dreams of Canudos. Guided by Antônio Conselheiro's famous phrase “The drought will turn into the sea, and the sea will turn into the drought”, the film goes through the drought and the flood to meet a warm and strong people who never surrendered, cherished with the music of hope and missing.
Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.
How twenty cents began a conservative revolution.
21 sequence shots depict moments in a defining night of the Battle of Rua Maria Antônia, in October 1968, from the point of view of the students and professors of the Left-wing Student Movement, in the Philosophy Faculty building of USP.