Musical prodigy, Sparkle struggles to become a star while overcoming issues that are tearing her family apart. From an affluent Detroit area and daughter to a single mother, she tries to balance a new romance with music manager Stix while dealing with the unexpected challenges her new life will bring as she and her two sisters strive to become a dynamic singing group during the Motown-era.

Late in her career, Ann Gregory finds the courage to be the first woman of color to enter the USGA Women's Amateur. She collides with Babs Whatling, a privileged white woman from the south who is searching for her own identity.

In LAST NIGHT, a same-sex couple faces its end when one of the women would rather sacrifice her long-term relationship than watch the love of her life die from recurring cancer.

This music video comes from a position of feminine self-expression and autonomy. We stand as witnesses to a woman giving birth to another part of her identity. In this case, let’s take it in a literal sense as we will see The Saint pushing The Whore out of her body. We begin with these two women celebrating their sensuality and having a firm grasp of their autonomy. And then as the story progresses, we are introduced to a new character who’s convinced it’s his right to take that agency away. But he’s clearly misguided. DIVA! is the pursuit of amplifying the very fact that The Saint in us can co-exist with The Whore as well as The Bitch, The Slut, The Boss, The Motherfucking Diva, and a lot more. It is a celebration of our endless rebirth.

Two meek women who are terribly abused by their husbands join forces to avenge their maltreatment. Martial arts give them the power to stand strong where they were previously weak.

Sebari Milach is an awareness film aimed at showing the dark ritualistic practices of female circumcision illegally practiced in Africa. This film touches on a true story about a young Ethiopian girl who gets tricked by her mother into getting circumcised at a ritual purification ceremony shortly after her sister passed away from the same practice.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.