In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.
Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.
Biographical film depicting Japanese Emperor Shōwa (Hirohito) during the final days of World War II. The film is the third drama in director Aleksandr Sokurov's trilogy, which included Taurus about the Soviet Union's Vladimir Lenin and Moloch about Nazi Germany's Adolf Hitler.
Rai, a frustrated student and part-time labourer, is wandering home after setting up a museum exhibition on the classic novel "The Tale of Genji". There is a blinding flash of light and he finds himself mysteriously time-slipped into the Heian period, the setting for the famous novel. Armed with a pamphlet on the history of the period and a bottle of headache tablets he passes as an onmyoji (magical protector of the capital) and is hired by the emperor’s wife Nyogo Kokiden. Fearless and coldly analytical she plots to have her son take over the Emperor’s position. Rai is expected to help. This light-hearted historical fantasy is a treat for lovers of sumptuous kimono.
The story of Japan's victory in the battle of Tsushima Strait.
The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.
Japan and Russia clash in what comes to be known as the Russo-Japanese War. An attempt by the Japanese fleet and army to take Port Arthur fails, and a Russian fleet bears down on the Sea of Japan. Admiral Heihachiro Togo sends his fleet to confront the Russians, with results which stun both nations. Meanwhile, Major Genjiro Akashi makes secret negotiations with the Bolshevik revolutionaries in Russia, negotiations that have repercussions far beyond the conflict at hand.
In January 1904, the situation between Japan and Russia had grown tense. The Emperor Meiji is deeply concerned, for Russia has started to build an invincible fortress at Port Arthur, and the relations between two countries have become strained to breaking point. General Nogi has retired to the first reserve and is now a gentleman farmer, but he is prepared for sudden mobilization. Finally, Japan declares war against Russia and Emperor Meiji appoints General Nogi as the commander of the force to attack Port Arthur. However, in spite of several all-out attacks, the fortress is strong and the casualties increase among the Japanese. Because of these reverses, there are loud cries for a change in command. However, the Emperor places his confidence in General Nogi.
William Courtenay's color film of the pacific campaign and Japan's downfall.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.