Armed with a mysterious website and a profile on a popular dating app, Selene, a freshly-turned vampire, lures Tyler into a “date” in order to make her first kill and complete her transformation.
Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.
Somewhere in Albania, 2018. A couple decides to get married but clashes with tradition hard to die.
Youngshin is sent to a weight loss camp by her mother, but has no interest in it. Yet her roommate Joohee, who dreams of becoming a Youtube influencer after ‘improving’ her appearance, makes a plan to complete weight loss and thus receive a full refund from the camp. The film captures the lives of two teenagers as they deal with the struggles of achieving dreams and the discrimination of others, while also expressing the swirling emotions of friendship and love.
When we give something a name, does it lose or make sense? A female body proposes an apparently simple game - it asks women from diverse generations the definition of something that in theory unifies them. Part of a transmedia project, the film is the main entrance to a narrative that has many points of view and no right answer.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze. MAUVE, “La piel malva” in its spanish title, is an audiovisual diptych about the depth of the emotional wounds of domestic violence; the same one that the surrealist Dora Maar lived with the minotaur Picasso. "Mauve" was a finalist in the Filminuto category of the Mobile Film Latam of the Conservatorio Audiovisual de Colombia in 2022.