Fresh to Las Vegas with no connections, Nomi Malone takes a job as an exotic dancer. Her talents are quickly noticed by Cristal, a headlining dancer who senses an opportunity to bolster her own act. But Nomi won’t play second fiddle and soon begins her venomous path to the top, ruthlessly backstabbing anyone who gets in her way.
Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.
Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
Five closely knit showgirls sign a pact to reunite one year after the closing of their Broadway production, but the lives of all five take many different turns, often for the worse.
In the Brazilian thriller Níobe, Rita (Barbara França) and a group of six other luxury call girls are hired by an important businessman to entertain the guests of an important business meeting for one night. The purpose of the meeting - which includes the presence of a president of the republic and its main general - is to bribe an opposition deputy to obtain approval for mineral exploration in indigenous territory. However, the plan does not go as expected and, after all, the future of the country may be in the hands of the seven call girls.
The film is about a group of Las Vegas sexy showgirls who are undercover agents working with a former C.I.A. agent to stop a terrorist attack.
A look at the production and enduring popularity of a modern trash classic from those bad boys behind 1992's Basic Instinct, the infamous screenwriter Joe Eszterhas and the envelope pushing director Paul Verhoeven. In 1995, their next film collaboration, Showgirls, was unleashed upon the world.
This ultra-kitsch documentary goes behind the scenes at Murray's Cabaret Club, where Christine Keeler was later a showgirl.
Tito Lombardi a Fifth Avenue dress designer, causes his business to suffer by his generous dispensation of credit to clients, one of whom, Max Strohm, the manager of a musical review, has promised payment for his girls' lavish costumes as soon as the show makes money. To the dismay of Norah Blake, Lombardi's faithful assistant, who loves him, Lombardi proposes to Phyllis Manning, one of the showgirls, and presents her with his finest creations, while not even attempting to kiss her, as she puts off setting a wedding date and also accepts the attentions of wealthy bachelor Bob Tarrant.