Un couple de cinéastes s'installe pour écrire, le temps d'un été, sur l’île suédoise de Fårö, où vécut Bergman. A mesure que leurs scénarios respectifs avancent, et au contact des paysages sauvages de l’île, la frontière entre fiction et réalité se brouille…
En 1957, à l’aube de ses quarante ans, Ingmar Bergman entre dans une période de productivité sans précédent. Cette année-là, il tourne pas moins de deux films et un téléfilm, met en scène quatre pièces de théâtre et conjugue travail acharné avec vie de famille tumultueuse…
Dans les années 1960, le cinéaste suédois Ingmar Bergman (1918-2007) a construit une maison sur l'île isolée de Fårö, sur la mer Baltique, a quitté Stockholm et est allé y vivre. A sa mort, la maison a été conservée. Un groupe très spécial de cinéphiles du monde entier se rend à Fårö à la recherche du génie et de son héritage. (Version abrégée de « Bergmans video », 2012).
Nous plongeons dans une rencontre entre Erradi (un vieil homme en fin de vie) et Aymane (un jeune garçon désireux d'apprendre la vie), en présence d'une femme (Rahma) prenant la forme de la MORT. Le tout se termine par une série de flashbacks poignants qui dépeignent le voyage du vieil homme à travers la vie, rempli de joie, de chagrin et de leçons apprises. Le court métrage explore la nature cyclique de la vie, capturant l'essence de la réincarnation et l'idée que nos histoires continuent à vivre malgré la mort.
The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
Documentaire tourné en 1969, consacré à l'île de Fårö sur laquelle le cinéaste a construit une maison et a tourné plusieurs de ses films (À travers le miroir, Persona, La honte).
No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.
Ingmar Bergman speaks with Gunnar Bergdahl.
The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
Two men find themselves in a hotel room trapped with only their thoughts and unresolved disputes.
Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.