Yakın arkadaşlardan oluşan bir grup mezuniyetten önce son bir kaçamak yaparlar “Doğruluk mu Cesaret mi?” oyununa katılırlar. Arkadaşlar arasında zararsız bir oyun olarak tanınan ve bilinen oyun, birinin veya bir şeyin yalan söyleyenleri ya da cesaret teklifini reddedenleri cezalandırmaya başlamasıyla korkutucu ve ölümcül bir oyuna dönüşür. “Doğruluk mu Cesaret mi?” oyunu, dönüşte de peşlerinden gelir ve tüm arkadaşları oynamaya zorlar.
John, a new student at an exclusive private school, is having trouble with a group of bullying jocks who are jealous of his friendship with beautiful classmate Mary. He's intrigued, then, when enigmatic misfit Luc offers him a chance to get back at them using witchcraft - but doesn't realise that the price of his new-found power may be his life.
Five young friends are hanging out in the woods and discussing their different views on love. There’s Mary who is happily in love with Toby, Toby who is sort of indifferent about Mary, Joby who has a secret crush on Toby, Caty who is single and satisfied and Freddy, the gang’s own enthusiastic nerd. Freddy tells his friends about an ancient greek myth which suggests that humanity used to consist of people who were literally stuck together with their true loves. He then suggests that they should all pray to the old god Zeus so that Mary and Toby are reunited in their true form. Caty finds this suggestion repulsive but to her horror the others consider it to be a charming idea. The ritual works… but maybe not in the way they intended.
Evelia evinde yürürken geçmişi, bugünü ve geleceği aynı anda yaşıyor. Tanrı Janus tarafından yönetilen sembolik yaşamda etrafındaki her şey onunla konuşuyor gibi görünür, ta ki rastgele vizyonlar şiirsel olarak doğana kadar. Gözlerinde, diğer kadınların varoluş düzlemlerini değiştirmeden önce hissettiği leylak rengi bir hüzün ve kendisinin birçok şekilde var olduğunu/var olduğunu/var olacağını bilmenin sevinci var. Evelia'nın ruhu, içsel bakışı uyandıran trans durumu aracılığıyla anima mundi ile bağlantı kurar.
Powell Davidson and his magician friends summon a spirit in an abandoned pueblo outside of town, unwittingly unleashing a murderous Civil War Major, who is out to kill the descendants of every person who condemned him to death in 1875.
In 10th century Norway, a young shaman is forced to hunt down her outlaw sister.
A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.
Joe is an ugly loser, incapable of picking up women. But when he’s taught a magical power, capable of transforming him into anyone he pleases and then back to his normal self, he decides to use it to live out his perverse fantasies. Initially content just watching them shower, Joe soon tires of mindless nudity and gears up to take his ultimate revenge against womankind: luring them to his shabby apartment, violently killing, and even eating them!
