Upholsterer's assistant Irene O'Dare meets wealthy Don Marshall while she is measuring chairs for Mrs. Herman Vincent at her Long Island estate. Charmed by her, Don anonymously purchases Madame Lucy's, an exclusive Manhattan boutique, and instructs newly hired manager Mr. Smith to offer Irene a job as a model. She soon catches the eye of socialite Bob Vincent, whose mother is hosting a ball at the family mansion. To promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the ball.

Filmed at the Point Theatre in Dublin 'Lord of the Dance' takes Irish dancing to spectacular new heights. Orchestrated and conducted by Anne Dudley, inspiring original music by Ronan Hardiman and exhilarating dance starring the sensational Michael Flatley with supporting characters Bernadette Flynn, Daire Nolan, Gillian Norris, Helen Egan and Anne Buckley - Lord of the Dance is a rare and magical experience. Michael Flatley takes to the stage in a stunning Celtic dance spectacular which re-tells Irish folk legend in a dazzling and updated style. Join us when time stood still and Erin was goddess of all... The stories had all been written and everyone knew their parts. But the ancient clans, sitting in their stone circles, heard mumblings and the spirits dream was troubled. A new dark power had emerged to challenge the Lord of the Dance.

Michael Flatley je mezinárodně uznávaný mistr tance. V roce 2005 se jeho mimořádné schopnosti a umění zkombinovaly v eposu, který propojil ducha a historii Irska s tancem a hudbou. Výsledkem bylo mistrovské dílo, které představilo irský tanec jako dynamickou a silnou uměleckou formu. Michael říká : "Keltský tygr zobrazuje utlačování národa. Tygr sám o sobě symbolizuje probuzení ducha v boji za svobodu. Samotné představení je 90 neobyčejných minut. Je velmi rychle se rozvíjející, silné a energické. Myslím, že je to něco, co jste ještě nikdy předtím neviděli."

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale