Un pianiste de Jazz ne sait comment se défaire d'une ancienne amante alors qu'il est sur le point de se marier avec une jeune beauté riche. Pourquoi pas la laisser tomber en bas du phare désaffecté... Seulement il va commencer à la voir partout, elle lui parle, elle fait disparaître sa bague de marié et, comble du mauvais sort, le type qui l'a amenée en bateau sur l'île ou le drame s'est passé le fait chanter...

Three teens get into the drug business when they discover two pounds of uncut heroin in a briefcase that was lost during a botched drug bust.

Jack Barrett is the type of guy no one calls Jack. He works for a group of businessmen known as "The Gentlemen" who operate within the fertile realm of the Sydney Underworld. Standover tactics, prostitution, illegal gambling, creative importation - you name it, "The Gentlemen" are into it. And Barrett enforces it for them. Old school muscle for hire. Now 53 years old, he's tired of having to throw away perfectly good suits because you can't dry-clean the blood off. He needs to get out of Sydney. Out of the game. Which is, of course, easier said than done.

Educational documentary that illustrates the living conditions and importance of ants in environmental ecosystems.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Ex-jazz pianist turned promoter finds he is successful, but empty. When an entrepreneur sends him to Moscow with a jazz combo, he falls in with the dissident youth of the city, and again finds life empty.