Daniel has just been released from prison and is trying to make a new life for himself. Between taking care of his alcoholic mother and finding a job, he might be able to find some happiness and normalcy in a new relationship.
It's been a long time since they have met, and when an unexpected event happens, something shifts. Uncovering what they actually meant to each other, everything seems more clear than ever.
A young film crew searches for ways out of the climate crisis. In different cities they meet people who commit their lives to preserving our environment in different ways. In inspiring conversations they talk about their thoughts, motivation and hope and why we have to break out of our comfort zone. 8 protagonists try to reach out for solutions for climate justice in our future and open up perspectives of hope.
Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.
Olaf is to take care of the family's cleaner's store, while his dad is away on a fair. In the evening he runs into three Brazilian ladies thrown out of a limousine not knowing where to go. Olaf invites them to stay with him and his deaf pot-smoking grandfather, which at first just causes some confusion as he soon is to marry his girlfriend Vera. The next day it's topsy-turvy all over.
Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.