Filmed in New York's Garment District, Fashion Avenue uses mirrors to reflect something more beautiful than the world of glamour: the everyday lives of working people. The filming of reflections creates the effect of printed fabrics, and the often jagged shapes resemble sleeves and lapels on the cutting-room table.
BRAVE NEW YORK is a free-form documentary that loosely chronicles the last twelve years of intense change in the East Village "hood." From the reopening of a newly curfewed Tompkins Square Park and Wigstock in '92 to the destruction of the cherished Loisaida Community Gardens, beyond the yuppie invasions of the "dot com" years to the present era, indelibly stamped with post 9/11 grief, this durable, lusty neighborhood survives in spite of a real estate gold rush that has excluded all but the well-to-do. The movie's main voices are those of the artists and street people whose wisdom and commentaries upon the dominant culture give us pause amidst the speedy approach of a "Brave New World." This Overview was taken from Fandor, where this film is available. 2004.
Scott Carthy’s debut film ‘Litefeet’ documents the recently criminalised art of subway dancing. The footage is of one of NYC’s most prolific dance groups, the W.A.F.F.L.E crew, leading up to their last dance on the improvised stage of a subway car.
“Don’t Take Harlem is my personal love letter to Harlem. This project is dear to me because it allowed me to understand my hometown and the stories that could be extracted. The visual images shown through this film captures my artistic style in its most authentic form.” Marshall Wayne Cooper
All About New York is a 1962 documentary directed by Paul Cohen and produced by Owen Murphy, chronicling the history and development of New York City.
News At 11: Liberty Edition is both the official visual companion to 猫 シ Corp.'s album News at 11, and a feature length odyssey through the late 20th century. Working closely with 猫 シ Corp., the archival experts of CCTV have synthesized media from hundreds of sources, creating a dreamlike meditation on the lost entertainment, telecommunications, and advertising that shaped a generation’s collective conscious. As we face an uncharted era of the Information Age, News at 11: Liberty Edition looks to the past to illuminate what might be ahead—championing our drive for resilience and innovation, while reminding us of our capacity for understanding and compassion.
Central Park: The People’s Place is a loving portrait of New York’s collective backyard. It is a biography of a living place that continues to evolve as the city changes. The documentary explores its historic creation as the first truly public park, its psychological and sociological significance, artistic design, and role as an urban oasis as the world becomes increasingly aware of the importance of green spaces. The film celebrates nature’s seasonal changes with beautiful photography and original music that capture the “good vibes” of a park filled with New Yorkers at play. Home to birdwatchers, sunbathers, kids playing in the snow, musicians giving impromptu concerts and big events like Shakespeare in the Park and the New York City Marathon, Central Park is central to the life of the city. Central Park: The People’s Place examines both the collective and individual experiences of Central Park, rejoicing in the diversity and splendor of an American experiment in social democracy.
Two extraordinary people go on several dates in New York City and plan a project that may change the world for the better.
What if this next generation could transcend racism? One year, 12 teens, on a remarkable journey to face racism and white privilege, have the conversations most of us are too afraid to have. Once they push through naivete, guilt and tears, what they learn may change us all.
Friends having fun in New York City
Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time.
A document of days in and out of New York City and Philadelphia.
Barneys' closing sale.
Documentary on the pickup basketball community surrounding Albany's Washington Park aka the Graveyard.
Mike and Donna tell the story of the fateful day their love began.
Fourth short film in Stefan Nadelman's look at the time his father spent at The Terminal Bar in NYC. This time Nadelman shows the pictures he took of the garbage can directly outside which serves as yet another portal into the streets at that time.
NEW YORK SCHERZO is a feature documentary that follows the lives of three diverse classically trained musicians as they try to make it in New York City. Originally from Seoul, Paris and Nashville they are passionate about their art but struggle to make a living, and face a crossroads where they must decide if they can sustain a career doing what they love.
The life and work of American photographer Harold Feinstein, whose work garnered critical and commercial success. In his 2015 obituary the New York Times declared him “one of the most accomplished recorders of the American experience.” Howard Greenberg says Feinstein “ occupies high ground in the pantheon of street photography” yet, most people, have never heard of him. A prodigious talent, Feinstein photographed life in all its forms, when and where he wished. Whether this was as a draftee in the Korean War, in a Bebop infused Manhattan loft or rural hippy enclave in upstate NY, Harold’s 35mm black and white photographs captured the essence of life with a with a uniquely humanist eye. The re-discovery of Feinstein’s vast and diverse body of work came in his final years and the film meets him then; in his early 80s and with a zen-like appreciation for the life he lived.
A brief interview with a zombie about the hardships of living among 9 million live meat sacks.
