Continuous video loop of Hudson Yards.
In the community gardens of New York
Trailblazing double bassist Orin O’Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.
Stars Pudgy Roberts. A satirical short, featuring Pudgy's famous nightclub act. In color.
Adventures of Lily Lonely, a wicked gypsy and a mischievous boy. In color.
A tour de force for Jolie Derriere in four exciting escapades ala Pearl White in "The Peril's of Paulene". In color.
Ava-Graph’s answer to the TV commercials. In color.
A musical featuring favorites of Ava-Graph.
Take a tour of New York City like never before.
Profiles the culture, lifestyles, and rituals within the New York City subways.
Times Square at night... alien, death-like... negative images... –P. E. G.
Mike and Donna tell the story of the fateful day their love began.
Documentary on New York Graffiti featuring art by Cliff, Phase 2, Comet, Blade, IN, Billy167, LSD OM, Ajax , Dean, Mico, Checker 170, Skylark
Manhattan, New York. Confined to his wheelchair, José Antonio enjoys a pleasant afternoon of reading.
Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.
It is described as a magical love story is set against the workings of Grand Central Terminal and the solar phenomenon known as Manhattanhenge, which takes place when the sun rises and sets between the city’s skyscrapers aligning perfectly with the streets below.
Danny Roberts shave his head after completing post-production on the film, "The Last Nice Sunday in the East Village"
NYC. A young Chinese girl owes a staggering smuggling debt to the Snakeheads. Her feelings of self-worth collide with her new life options: the sweatshop, fourteen hour days, sleeping eighteen to a room. Or Gang life. Bodywork. And Full Service, at two hundred and up.
Mike lives in New York. Every day he walks in the streets and what he sees mixes with his thoughts, while his dreams blur with the mirages of the society of images. In such a large city it may be difficult to find a balance between the words and the noises around. Suddenly, Mike realizes what he wants: to go away, as far as he can.
The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.