Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
Los preparativos de una elegante boda en Nueva Delhi, que durará cuatro días, reflejan los conflictos entre generaciones partidarias de seguir las tradiciones y otras defensoras de la modernidad. A Lalit Verma y a su mujer Pimmi la boda concertada de su hija les lleva casi al borde de un ataque de nervios y de la quiebra. Otras historias paralelas se desarrollan a medida que van llegando a la ciudad parientes procedentes de todo el mundo. El novio llega de Houston (Texas), donde trabaja como ingeniero, para conocer a la novia. La novia, por su parte, acepta el compromiso a regañadientes, pues está enamorada de un presentador de televisión. Los preparativos de la boda exigen contratar a un organizador profesional y el elegido será P.K. Dubey, que es un inteligente joven de clase media.
Rohan, estudiante universitario, regresa a casa de sus padres en las afueras de Nueva Delhi para celebrar el Diwali con su familia. Una vez allí, descubre la verdad sobre lo sucedido con su hermano Rahull: diez años antes, su padre y su hermano se distanciaron después de que éste se casara, en contra de la tradición y el deseo de su familia, con una joven llamada Anjali y se mudaran a Londres. Es entonces cuando Rohan decide viajar a Londres para traer a su hermano a casa… pero primero debe encontrarlo y convencerlo
Tres amigos que comparten un apartamento se involucran en los turbios negocios de la novia de uno de ellos. Cuando quieran abrirse, descubrirán que ya es demasiado tarde, ya que una banda criminal los perseguirá hasta encontrarlos.
Un ambicioso chofer indio emplea su astucia para salir de la pobreza y llegar a la cima en un viaje épico basado en el éxito de ventas del New York Times.
Un cirujano comienza a abusar del alcohol y de la droga cuando descubre que su novia es obligada a casarse con otro hombre. Remake de Arjun Reddy.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.
Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.
Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.
Hired as a monkey repeller upon moving to Delhi, a young man struggles to find his footing in his unenviable job and his place in the unforgiving world.
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.
A group of friends find themselves in trouble when one receives a chit from the gangster that he owes money to.
Amateur film featuring government buildings in Delhi, a shooting party in Malakand and winter in Abbottabad.
Jasper has arrived in Delhi to begin a tour of India, where the newness of his surroundings quickly prove overwhelming. As he is drawn into the dynamics of his host family, the Bhatias, he finds that his mere presence has upset the natural order of things. Jasper finds that the first day of his journey is possibly more than he bargained for.
Scenes from a lavish pageant held during the royal visit to India, celebrating King George V’s coronation.