У багатого бізнесмена і його дружини два сини - прийомний Рахул і рідний Рохан. Рахул дружить з Нейною, яка закохана в нього, і батько планує одружити їх. Але Рахул зустрічає Анджалі - симпатичну дівчину, яка живе в бідному районі, і закохується в неї. Незважаючи на дану батькові обіцянку відмовитися від дівчини, Рахул таємно одружується з нею, чим викликає гнів і прокльони батька.
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Амбіційний індійський водій намагається хитрістю вирватися з убогості та добитися успіху. Грандіозна подорож за мотивами бестселера New York Times.
Kabir, a genius yet hostile medical student, falls in love with Preeti from his college. When Preeti's father spots the couple kissing, he opposes their relationship and decides to marry her off.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
Three unsuspecting, average guys find themselves on the hit list of one of India's most-powerful crime syndicates.
Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.
A film produced to celebrate the coronation of George V as King-Emperor at the Imperial Durbar of 1911.
London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.
Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.
Scenes from a lavish pageant held during the royal visit to India, celebrating King George V’s coronation.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
Hired as a monkey repeller upon moving to Delhi, a young man struggles to find his footing in his unenviable job and his place in the unforgiving world.
Jasper has arrived in Delhi to begin a tour of India, where the newness of his surroundings quickly prove overwhelming. As he is drawn into the dynamics of his host family, the Bhatias, he finds that his mere presence has upset the natural order of things. Jasper finds that the first day of his journey is possibly more than he bargained for.
Abhay Shukla, a boy from a small town in Bihar reaches Delhi in the desire of success. Abhay comes from a family that is struggling with difficulties. Abhay aims to appear in the IAS exam and achieve success.
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.