Being a woman caught between these two Codes: the Family Code and my family's code. Two codes that feed off each other. Prohibitions, injunctions, rules of conduct for women dictated by men of law, family, and society. And women in all of this? Être une femme prise entre ces deux Codes : le Code de la famille et le Code de ma famille. Deux codes qui se nourrissent l’un l’autre. Des interdits, des injonctions, des règles de bonnes conduites destinées aux femmes dictées par des hommes de loi, de la famille et de la société. Et les femmes dans tout cela ?
Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.
A bunch of Vancouver dykes take hand held hi8 to new heights. In this improvisational short, which offers a wake up call to political complacency. Short on plot, big on subtext. Amidst comic moments these intrepid lesbians go searching for political dykes. What else can you do when the lesbian centre becomes a tattooparlour?
Provocative, feminist critique of man’s technological progress.
A video essay using images and interviews to critically explore the history and current role of pornography.
Moira Mulholland narrates the history of (European) women's rights through images, interviews, and performances focusing in on the Women's Suffrage Movement in Canada.
From the moment a girl goes to her in-laws house, an evil force called violence surrounds her. In this story too, a girl is going to her in-laws house after marriage. A character named "Violence" starts giving bad advice to the girl's husband, father, father-in-law, mother-in-law. But nobody cares about Violence. At one point the Violence erupted with various attempts to enter the girl's in-laws' house. Finally, the Violence is seen to be dormant. Lutfar Rahman George played the role of Violence. Filmmaker Shamim Akhtar said about the film, “Everyone overplays the negative things. This film is an exception. Because, the entire film tells a positive story."
In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.
Director Eugenia Gutu offers a feminist critique of gender (in)equality under socialism in this documentary portrait of an industrializing town and its model citizen, Florica S.
November 2017, North of Paris : H. Reiner-Onet cleaning company workers are fighting an exemplary battle. This 45 days strike, one of the longest in the history of the French railway, led by these men and women, ended in a decisive victory against two giants, Onet and the SNCF. One of the most impoverished sectors among railway workers, they had no previous experience with striking or organized struggle. How did they pull such a victory ? Their dermination to fight was undoubtedly the key to winning, but so are the links they forged with revolutionary activists who brought with them a tradition of fighting for workers against employers.
After surviving a vicious attack, the body of a rigorous ballerina threatens to decay unless she placates a “certain hunger” to supplement her rotting flesh.
A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.
Mexico is one of the countries worldwide with the highest rate of femicides, the murder of women because they are women. The mothers of two murdered girls became active in feminist collectives to demand stricter laws from the government. Film maker Angélica Cruz Aguilar shows the situation of the families of the murdered women, but also the fight of women for justice and security.
A documentary by Giulia Vallicelli about the lady fest that took place in Rome in 2009. This documentary showcases the reality of queer and intersectional feminism in Italy through punk and feminist music.
The story of the road to women's suffrage in Sweden featuring interviews with relatives of the main characters.
A feminist revenge thriller
»Women* What we are fighting for« is about lesbians* who are fighting for the women*- and LGBTQ+ rights. It’s about the life stories of activists from Ukraine, Germany, Russia, Kazakhstan, the Netherlands, Brazil, Moldova and Croatia. „You will see what the activists of every country in the world face and, most importantly, why we unite and continue our struggle.“ a film made by lesbian* activists. For activists and about us*.
