Weteran wojenny Frank McCloud (Humphrey Bogart) przyjeżdża na wyspę Key Largo na Florydzie w poszukiwaniu rodziny towarzysza broni, który zginął podczas walk we Włoszech. Chce powiadomić rodzinę o bohaterskiej śmierci przyjaciela. Okazuje się, że przykuty do wózka inwalidzkiego ojciec zmarłego i wdowa po nim, Nora (Lauren Bacall), prowadzą na wyspie hotel. Mimo że jest już po sezonie, zdecydowali się go otworzyć z powodu wizyty specjalnych gości. Owymi gośćmi są gangsterzy, a ich szefem jest sławny Johnny Rocco. Film zdobył dwa Oscary.

The enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.

Diogo is a cartographer and artist who is encharged to set the new frontiers of Portuguese Colonies in South America. When he reaches the center of the continent, finds apparently nothing but wilderness and ‘uncivilized’ natives with strange ways of living. But Captain Pedro, the rude scout who guides him through the jungle, involves Diogo in an involuntary act of violence which will tie him in an unusual way to that far away country. At the same time, the Portuguese colonists are trying to make peace with Guaicuru Indians (one of the few natives with horse-riding abilities). But peace doesn’t ever have a low price.

What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.