Nach über 40 Jahren kehrt Meister Miyagi nach Japan zurück. An seiner Seite sein Schüler und Freund Daniel. Der Grund für die Reise nach Okinawa: Miyagis alter Vater liegt im Sterben und möchte seinen Sohn noch einmal sehen. Außer von seinem Vater wird Miyagi von zwei anderen Menschen erwartet: von Yukie, der Jugendliebe, die ihm über all die Jahre hinweg die Treue gehalten hat und von Sato, dem ehemals besten Freund und jetzigen Erzfeind, der noch eine alte Rechnung mit Miyagi offen hat und ihn zum Zweikampf fordert. Auch für Daniel wird es kein friedlicher Urlaub. Er findet heraus, dass der Sato-Clan die Bauern mit falschen Gewichten betrügt und muss gegen eine ganze Gang von durchtrainierten Karate-Kämpfern antreten …

Xolani ist ein vereinsamter Fabrikarbeiter. Einmal pro Jahr reist er in die Berge, um ein Initiationsritual mit jungen Männern durchzuführen. Einer dieser Männer ist der homosexuelle Kwanda aus Johannesburg. Dessen Vater bittet Xolani, mit seinem Sohn besonders streng zu sein. Seine Mutter habe ihn zu sehr verwöhnt. Als Erstes werden die jungen Männer in der Gruppe beschnitten. Das Ritual ist unzimperlich – schliesslich sollen die Jugendlichen nun zu Männern werden und den Schmerz wie solche ertragen.

After committing a crime for which he is likely to be jailed, a Yolngu teenager convinces two of his childhood friends to join him on a journey from North East Arnhem Land to Darwin to seek help from a tribal leader.

Celebrates 30 years of televised specials by The National Geographic Society.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

"...a charming depiction of life as I knew it with my grandparents in my own village..." Clara Caleo Green, Cinema Italia UK "The sum of the individual fates and life choices paints a picture, the validity of which extends far beyond this village." Joachim Manzin, Black Box This documentary records the thoughtful and emotional confrontation with time, change, loss and hope related by the members of a small community in the idyllic Ligurian countryside who are dealing with a rapidly changing agricultural industry, transformed by globalisation and technological advances and an increasing number of foreigners buying the empty houses in their village. Forgoing the use of music and voice over, the film lets Aracà's inhabitants tell their own stories and allows the audience to dive into the rich soundscape of the ligurian alpine countryside.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

A 15-year-old boy goes on a hiking trip with his estranged grandfather, and overcomes the grief of losing his parents on a mountain above the clouds.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.

Shipibo healer Ricardo Amaringo describes how he prepares, teaches, and shares the plant medicine ayahuasca. Olivia and Julian Arévalo sing examples of icaros (healing songs) in the Shipibo language.

In Peruvian Amazonia, for the first time in many years, a Shipibo–Konibo community prepare to perform the Aneshiati ceremony: a time of dance, song, festive clothing, and drink—including the sacred tea ayahuasca.

At an altitude of 4500 meters, on the highest plateaus of Karnak in the Himalayan région of Ladakh, in a lunar setting where the sky blends with the mineral immensity, director Marianne Chaud filmed the movements of these last nomads. Immersed for months in their community, speaking their language, she placed her camera as close as possible to their voices and gestures, offering viewers encounters of a rare intimacy. As much as the splendor of the landscapes, the extreme harshness of the living conditions or the emotion shared with these nomads, it is this closeness that creates the magic of the film.

"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.

A girl celebrates her 16th birthday with a Umhlonyane.

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.