Numa noite, o argumentista Adam, no seu prédio praticamente vazio na Londres contemporânea, tem um encontro casual com o seu misterioso vizinho Harry que interrompe o ritmo da sua vida quotidiana. À medida que Adam e Harry se aproximam, Adam é levado de volta à sua casa de infância, onde descobre que os seus pais, há muito falecidos, estão ambos vivos e aparentam ter a mesma idade do dia em que morreram, há mais de 30 anos.
In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.
O filme é ambientado em uma terra devastada pela guerra, conta a história de um guerreiro com esperança de criar um novo mundo, e vai lutar pela defesa de uma civilização oprimida
Four young friends with fracturing relationships take a camping trip to Southern Utah in order to escape an ecological disaster up North. Alone in the desert, they begin to suspect that their reality might not be as it seems, and soon realize they’re being observed by a mysterious cosmic force.
Amidst apocalyptic darkness and endless war, a young couple's mundane relationship is threatened by the arrival of a mysterious widow and a supernatural force that lurks in the forest around their cabin.
Sociologist David W. Wahl explores the identity work involved in Kay Parker shifting from being a legend of the adult film industry to her current occupation as a metaphysical counselor.
A love story about two beings that believe themselves to be ONE. Two alien creatures: completely distressed and confounded by their separation. The film is a ritual enacted, where each find the other across time and space as they try to become the other literally and physically, in the process creating a new utopia, a mythic city where the two beautifully merge to become a new kind of creature, a new form of god.
"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…
Antu, a young screenwriter journeys into the fictional worlds of his screenplays.
Final entry in Adrian Țofei and Duru Yücel's trilogy which includes Be My Cat: A Film for Anne and We Put the World to Sleep.
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel's trilogy which includes Be My Cat: A Film for Anne and Pure.
Struggling if the existence of his love is real or not, Matthew embarks on a train journey to find it. As he travels without a fixed destination and searches for his beloved, he begins to hallucinate between imagination and reality, trying to realize which is which. Was it true love or just metaphysical?
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
After dying in an unpredictable accident Simon is transported to a metaphysical realm where he meets Greg in the afterlife. Screened as part of CampusMovieFest 2014.
We hear the distant ring of Saturn.