Cracks are starting to burst in Marina's frozen life, leading towards finding refuge in dangerous places.
Porky Pig runs a game refuge. Despite the abundant signs to the contrary, Jean-Baptiste the trapper sets numerous traps, ensnaring many animals.
Far from civilization, in a frozen forest on an inhospitable mountainside, a group of researchers is attacked by an unidentified figure. The sole survivor, a young biologist, takes refuge in the isolated cabin of a mysterious man.
Buenos Aires. Lu e Fati sono madri adolescenti che vivono in una casa famiglia religiosa. Dall’Italia arriva Suor Paola, in procinto di prendere i voti perpetui. L’incontro tra le tre donne e il loro rapporto con la maternità scateneranno reazioni inaspettate.
GDR, August 1989: Hanna and Andreas became a target of the secret police and had to give up their plans for their future studies and desired professions. Instead, they face arbitrariness, mistrust and reprisals. Their only chance for a self-determined life lies in fleeing across the Baltic Sea. Fifty kilometres of water separate them from freedom - and only a thin connecting rope around their wrists saves them from absolute loneliness.
Hurrah! For Freedom (aka Viva Freedom) is a 1946 Korean film directed by Choi In-kyu. It was the first film made in the country after achieving independence from Japan. During the country's occupation Choi was only allowed to make Japan-friendly films, but the plot of Hurrah! For Freedom is distinctly different, telling the story of a Korean resistance fighter in 1945.
Alfonso is a man in search of missing gold left buried all over Paraguay during the years of the country's war against Argentina, Brazil and Uruguay in the 19th Century. He actually finds treasure, but with it comes misfortune, and soon he finds himself pennyless and working as a trash recycler, living in poverty but peace. Then the gold comes within his reach again, and tragedy comes back to haunt him.
First Serbian film shot in Kosovo after its separation.
Three women are in enclosed psychological zones that function as both refuge and jail.
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
Refugees are captured by border patrol officers as one woman escapes to find herself surviving on her own in a foreign land.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.
A story about the relationships between the disabled man Xiangshu and a deaf-mute girl on the run from the police who takes refuge on his land.
When a young mother speaks out against the Taliban, she and her husband are forced to flee their home and country with their three sons. Embarking on a long and terrifying journey across Russia and through Europe, they seek final refuge in the UK. But, as their eldest son’s life-threatening heart condition worsens and requires urgent surgery, their escape soon becomes a race against time. Amit Sharma directs this widely acclaimed stage version of The Boy with Two Hearts (BBC Radio 4 Book of the Week). Based on extraordinary real-life experiences, it is a powerful story of hope, courage, and humanity – and a heartfelt tribute to the NHS.