Nate Foster, jeune recrue du FBI, est chargé par sa supérieure d'infiltrer en tant qu'indic un groupuscule néo-nazi. D'abord réticent, Nate comprend vite que pour mettre en confiance les membres de l'organisation, il doit devenir un des leurs... Crâne rasé, prétendument vétéran de guerre, le voilà contraint de participer aux débordements racistes et d'adhérer aux discours haineux du groupe. Tiraillé entre sa morale et les impératifs de sa mission, Nate est pris de vertiges lorsqu'il découvre que le groupe prépare une attaque terroriste sans précédent...
Elmo McElroy est vraiment un individu à part. Chimiste génial, il a mis au point le POS 51, LA drogue parfaite, celle qui vous donne l'impression que Dieu lui-même est venu vous faire signe. Bien décidé à commercialiser son petit chef-d'oeuvre sans intermédiaire, Elmo se débarasse de son encombrant patron, Le Lézard, pour rallier l'Angleterre - le 51e Etat - et s'associe avec Félix Desouza, un petit nerveux qui règne sur l'underground de Liverpool, parle tout le temps et ne supporte pas ce qui est Américain.Ce qu'ignore Elmo c'est que son ex-patron est toujours vivant, déterminé à se venger et à mettre la main sur la formule chimique. Et en plus il n'est pas le seul : la superbe et dangereuse Dakota Phillips est également sur ses traces.
Une nuit à Los Angeles, deux skinheads croisent Marjoe, un jeune homosexuel de 15 ans. Ils décident de l'amener de force à leur quartier général où il sera passé à tabac par toute la bande, puis abandonné nu sur un trottoir. Sa mère, Maggie, qui refuse de laisser le crime impuni, va reprendre contact avec son ex-mari, Joe, un ancien flic maintenant ivrogne qui s'est installé au Mexique, afin de venger leur fils.
The flames of racism burn hot as a murderous band of skinheads wreak havoc on the Los Angeles landscape and only one man can put an end to their explosive evil. Stars Blake Bahner, William Smith, Addison Randall.
Robin is 16 and has had enough: permanent trouble at school and at home. On the run from his dull everyday life, he joins a group of skinheads. The clique strengthens their sense of belonging by beating up foreign youths. This is how the "apolitical" boy slips into the right-wing scene, and it's not easy to get out of it. When they injure a Turkish girl during a robbery, Robin, of all people, is questioned by the police.
A right-wing radical, who is not quite aware that he is one, goes around with his buddies beating people up and taking part in scene events. Things look bad at home. His mother is in the hospital because her husband beat her up. The drunken father has long since brought in a replacement, a homeless woman. The teenager lives in eternal stress with the alcoholic, but gains respect from his father through his right-wing radical friends. From now on, his home becomes the main meeting place of the clique. When one of the antisocial outings of the clique ends fatally for one of the victims, the father offers his son and his friends first an alibi, later a hiding place..
An examination of a group of skinheads--white, mostly male youths involved in the neo-Nazi, white supremacist hate movement in the U.S.--and the older adults who brought them into, and try to keep them in, the movement in the first place.
Na construção de um prédio é descoberto por acaso o bunker onde Adolf Hitler cometeu suicidio. No seu interior, juntamente com o esqueleto da sua companheira, encontrava-se dentro de um boião de formol o seu viril membro. Este peculiar achado levou a que um grupo de neo-nazis espanhóis fossem recrutados por um cientista maluco para o roubarem o dito pênis conservado, para que assim se pudesse reconstruir o clone do Führer.
Indian (Sohail Khan), or I, as he goes by, is distraught when he must move to London with his father in order to live with the rest of his family, who have been living in England for a while. Once there, I begins to realize that many of the minority families are being bullied by white skinheads, and he decides he must get involved in order to stop the cycle of hatred.
Shot with Malaysian skinheads in Penang, it’s a meditative fantasy on signs, signals and butterflies, leading to pointed reflections on the relationship between British colonial history and popular culture in South-East Asia
