In questo corto candidato agli Oscar, un uomo cerca di tornare a casa dal suo cane, ma si ritrova in un loop temporale in cui rivive un fatale incontro con un poliziotto.
In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in the United States and explores the shifting landscapes of the nation's historical memory.
Con un accesso esclusivo all'interno di uno dei sistemi ospedalieri più colpiti di New York, durante i terrificanti primi quattro mesi della pandemia, il regista Matthew Heineman mette in luce gli eroi quotidiani nell'epicentro dell'epidemia di COVID-19 che si sono uniti per combattere una delle più grandi minacce che il mondo abbia mai incontrato. Lasciando una devastante scia di morte e disperazione, questa pandemia, unica nel suo genere, ha cambiato il tessuto della nostra vita quotidiana e ha messo a nudo disuguaglianze presenti da molto tempo all'interno della nostra società. Utilizzando il suo caratteristico approccio di cinema vérité guidato dai personaggi, Heineman si unisce a un gruppo di medici, infermieri e pazienti in prima linea mentre cercano disperatamente di superare la situazione di emergenza. Affrontando diverse trame come fossero un microcosmo attraverso il quale possiamo vedere gli impatti emotivi e sociali della pandemia.
Animazione e attivismo si fondono in questo spoken word multimediale in risposta alla violenza della polizia e all'ingiustizia razziale.
A raw and unapologetic look into a police shooting, racism, and the connections they share.
Before George Floyd, before Breonna Taylor, before America knew about Black Lives Matter, there was Michael Brown, Jr. On August 9th, 2014, in Ferguson, Missouri, a white police officer fatally shot an unarmed Brown. The community reacted in protest, anger, frustration, and fear. Six years later, a new story emerges - one filled with hope, love, and beauty.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)
United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.
Documentary film exploring the lives of the people at the flashpoint of the LA riots, 25 years after the uprising made national headlines and highlighted the racial divide in America.
When a progressive, midwestern pastor's life is threatened by extremists, she must answer to a gang of interrogating FBI Agents as she reels from the trauma of terrorism. "The Pulpit: Prelude" is about small town politics and the challenges faced by progressive leadership. The film sheds light on the violence and prejudice in a variety of faith communities and the challenges of seeking help from institutions like law enforcement. Inspired by a True Story, this short film is a prelude to a feature-length Thriller of the same name. "THE PULPIT" will return.
Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.
Black White & Blue covers race issues in America, police brutality, the Black Lives Matter movement, the Flint Water Crisis, and the 2016 election of President Donald Trump. The film features one-on-one interviews with notable African-Americans: Michigan Senator Coleman Young II, Baltimore attorney William "Billy" Murphy Jr., rapper Killer Mike, former NYPD Officer Michael Dowd and others.
Two unapologetically black and fearlessly funny friends go for a walk in Minneapolis’ North Loop.
An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.
Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.
Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.