In the not too distant future, an overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules.

Walton, the District Attorney, yearns to have children. Soon after defending an author on trial for publishing indecent literature, Walton discovers a secret his wife and her socialite friends have been hiding from him.

Nurse Margaret Sanger became a pioneering crusader for women's reproductive rights after she published a booklet on birth control techniques that flew in the face of a law established by Anthony Comstock forbidding the dissemination of information on contraception. Sanger later helped to establish America's first birth control clinic in 1916, and in 1925 was one of the founders of Planned Parenthood.

In this stop-motion animated comedy, a young couple's romantic weekend getaway is interrupted by a birth control mishap.

This is a book excerpt adaptation from Anna Akana's "So Much I Want To Tell You: Letters To My Little Sister"

An exploration of the early public debate surrounding birth control, the media's involvement, and the unstoppable Margaret Sanger, in a style mimicking the films of the period.

A teenage girl undergoes the uncomfortable and intrusive process of acquiring a birth control prescription.

Now that contraception is controlled by women, men seem to experience carefree sexual freedom. In reality, they lose autonomy over their own seed. Director Lynn Deen started the film out of frustration: Why was the woman always the one to carry the burden that comes with lust? Gradually she saw that this luxury position actually places men in a dangerous position of dependence. They have virtually no control over both the prevention and the termination of a pregnancy. That is why they should be more involved in preventing pregnancy. Not only for women, but especially for themselves.

A headstrong trans teenager is propelled into their hangover when a reckless decision to have sex without a condom triggers an urgent need for the ‘morning after’ pill.

Elizabeth Bagshaw was a forerunner of the women's movement. As one of the first women to practise medicine in Canada, she had to overcome society's bias against women in medicine. During her seventy-year career she helped to instigate change in public opinion on that issue, as well as the issue of birth control. The film captures the personality of this remarkable woman through a contemporary interview and re-enactments of episodes from her youth. The sepia tones of the re-enactments are in keeping with the film techniques of the time, giving the viewer a strong sense of the period. The film is of special interest to persons interested in the evolution of women's roles in Canadian society.

A doctor's wife is arrested for educating impoverished women about birth control.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.