A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
Louis, a terminally ill writer, returns home after a long absence to tell his family that he is dying.
While her husband is on a business trip, Gam-hee meets three of her friends on the outskirts of Seoul. They make friendly conversation, as always, but there are different currents flowing independently of each other, both above and below the surface.
Norman Normal is pressured to act in ways he finds uncomfortable by his boss, his father, and the people around him.
It takes a fair bit of casual chat for Elle to realize she is able to rant about life's connected events and the lines that link us all. Luckily, Guy is a good listener, specially when charmed by a pretty girl with a talent for intriguing randomness. As to the bond that brings the two of them together... well, that's another story.
It feels so good to dream of you. It feels so real it fills me with pleasure. And I can't think about anything else.