Based on the true story of Shepard Fairey's first act of street art, OBEY THE GIANT tells the story of a young skate punk challenging a big-city mayor and the powers-that-be at art school. Frustrated by his inability to gain respect within the confines of art school Shepard sets out to gain notoriety and acclaim by targeting the most powerful man in Providence, former Mayor Buddy Cianci. Risking expulsion and jail time Shepard plasters Andre the Giant's face over the image of Cianci on a campaign billboard. As word of Shepard's prank gets out, Shepard learns that art is a weapon and attention is both a blessing and a curse.

Director Deborah Faraone Mennella followed street artist Judith de Leeuw (JDL) for one year, during her life in the Netherlands and during the creation process 'Love is Stronger Than Death' in the Italian city of Taranto. You can see in a spectacular way how the 30-meter mural was created. common social issues are leading in JDL's designs. This time, however, it is the death of her father that plays a central role.

Released in 1999, this 50-minute video opens the trilogy. It focuses only on graffiti in the railway world. There are various activities such as the interior degradation of metro wagons (bomb marker and marker, window scratches), but also that of subway station. You can also see different scenes where the exteriors of metros, RER and trains SNCF are painted. Long passages are dedicated to the exhibition of his works when the trains roll. We can also see how graffiti artists get into train depots. The various crew (strips of graffiti) that can be seen in activities are 132, GAP, SDK and CLM.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.