Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.
Hong Kong action star Max Mok stars in this period drama as Lau, a eunuch living at the end of the Ching Dynasty. Lau finds himself absorbed in the past along with another eunuch named Siu, and the two fall in love as they share their passion for Peking Opera. Unfortunately, they're unaware that their relationship serves as the catalyst for a series of events that end in disaster. Twilight indeed!
In 1997, Oscar-winning documentarian Allan Miller embarked on a film project with renowned conductor Zubin Mehta and celebrated Chinese film director Zhang Yimou as they joined forces in a production of Puccini's opera Turandot in Florence. Before the year was out, an extraordinary opportunity arose: to stage Turandot in its original setting in the Forbidden City of Beijing. The outdoor production was an undertaking on an epic scale. A fascinating chronicle of an unprecedented cross-cultural collaboration, THE TURANDOT PROJECT combines the pageantry of this opulent opera production with a spectacular cinematic portrait of the struggles and triumphs of Zubin Mehta and Zhang Yimou to mount their production in this most historic venue of China. (Source: Amazon.com)
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.