De vermoeide schrijfster Marjorie Rawlings (Mary Steenburgen) verlaat haar echtgenoot en New York en trekt zich terug op het platteland teneinde zichzelf te vinden en een roman te schrijven.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
In a town not so far away and a time not so long ago, baby Rose was left on the porch of Greenwoods Orphanage, where Mrs. Hartley and the children under her tender care become her family. But when tragedy strikes, Rose loses the only home she has ever known and she is abruptly shipped to Irongates—a place that seems as cold and cruel as her previous home was kind. Strict headmaster Mr. Crampton immediately seems to dislike Rose and makes sure she and the other children are punished for any minor infraction of his rules. Rose soon makes friends with Emily, but in spite of her gentle and forgiving nature, some of the children will take any chance they can to get her into trouble. When she learns that every Christmas Mr. Crampton’s generous brother gives an orange to each child, Rose waits in eager anticipation.
A family drive in the countryside turns into a battle of wills between a young boy and his father and aunt.
Millie Stope lives with her grandfather on a remote island. Man-child Nicholas, a fugitive from justice, also lives there and is terrorizing them - and he's interested in Millie. One day widower John Woolfolk, sailing on his yacht, happens upon the island. Soon he and Millie fall in love. Will jealous Nicholas stand for this?
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
In 1987 a disillusioned door to door orange salesman horrifically murders his first victim. Move forward 27 years and a land developer is buying an orange grove. He and his 3 friends plan a fishing trip to get his head around the pending transaction, unbeknownst to them, his estranged wife and her new boyfriend have also chosen the very same location for a break. The usual strange noises and unnerving situations ensue when they congregate at a secluded cabin, as The Orange Man eliminates them 1 by 1 with the aid of his prosthetic hook and a bag of oranges!
A sad young man, faced with the death of a loved one, is faced with a ghostly being that leads him on an unexpected journey.
After his friend asks for it, a man goes on a quest to get him an orange.
This visually striking short film from director Kate Morrison combines exquisite production design, precise cinematography and committed performances to create an unsettling and surreal scenario that explores the inherent advantage art students from wealthier backgrounds have over those from low-income households in their ability to realise their full creative potential.